“A messy but fun way to make something very stupid but very beautiful.” That’s how cinematographer Larkin Seiple describes the process of creating the multiverse-jumping singularity that is Everything Everywhere All at Once, a mixture of the silly and profound that careens through alternate realities populated with hot dog fingers, butt plugs and raccoon versions of Ratatouille while imploring us to embrace the fleeting moments of grace offered up by the universe in the face of our cosmic insignificance. Michelle Yeoh stars as Evelyn, a harried laundromat owner whose marriage, mother-daughter relationship and IIRS audit all crater simultaneously. Into that personal […]
I’ve hit the fatigue section of my journey. Time is irrelevant, and I spilled several glasses of water during pitch meetings because my motor skills are suffering. I read back on my last journal, and it seems like a story from a stranger, someone much saner than I. It was probably the Top Gun: Maverick-themed military fly-by that opened this portal to another dimension. Does anyone know if the red white and blue smoke coming out of their engines were supposed to be celebrating France or the USA? 5/19 I woke up feeling weird. I only slept for four hours […]
“What if this movie’s just a donkey green screened onto a bunch of Koyaanisqatsi-looking footage?” I joked to a friend as the lights dimmed for Polish master Jerzy Skolimowski’s new film, Eo. It wasn’t, but honestly I wasn’t as far off as I thought. Touted (in the media, at least) as a remake of Robert Bresson’s 1966 classic Au hasard Balthazar, the 84 year-old’s latest offers one of the more radical updates of that film imaginable. Pitched somewhere between sacrilege and tribute (Skolimowski is a notorious Bresson fan, even if his work has rarely shown his influence), Eo is an […]
One Fine Morning, Mia Hansen-Løve’s eight feature, messily synthesizes familiar recurring autobiographical threads. The writer-directors’s parents were philosophers whose divorce was traced over in the excellent Things to Come. Isabelle Huppert stood in for her mother there; One Fine Morning takes the daughter’s perspective, with Hansen-Løve rendered as translator Sandra Kinsler (Léa Seydoux). With father Georg (Pascal Greggory) increasingly hollowed out by a rare neurodegenerative disease, Sandra and her mother, Georg’s ex-wife Françoise (Nicole Garcia), are forced to make a number of draining caretaking decisions. (In the press kit, Hansen-Løve says she was “partly inspired by my father’s illness while he was still alive.”) When the understandably stressed […]
Ticketing catastrophes, internet outages at the badge claim station, and complimentary gold buttons featuring lame movie-related quotes from uncited sources in either French or broken English—“I swear to you: I had an eye contact with Timothée,” reads mine—in sans-serif font atop the number 75. A quick Google search tells me that the traditional gift to celebrate a 75th anniversary is diamonds, but two days into Cannes’ three-quarter century extravaganza I might’ve guessed it was lead. The inauspicious Opening Night Film selection, Michel Hazanivicius’s Final Cut, was in lockstep with the festival’s other launch fumbles. Scooped up by Thierry after the […]
As, just before heading to the airport, I post this brief list of films we at Filmmaker are especially excited to see at the 2022 Cannes Film Festival, cinema’s most prestigious annual event is already having something of a bumpy opening, with a new (for those who didn’t experience its debut in last year’s low-key mid-pandemic edition) ticketing system returning all manner of “504 Gateway” errors and obscure messages, some of which contain their own brutal poetry: “Validation of viewstate failed… Purpose, purpose…” (Press has seen some alleviation as those badges are now redirected to a new server, while market […]
Released in the fall of 1980, while Stanley Kubrick’s film adaptation of The Shining continued to horrify audiences in theaters, Stephen King’s eighth novel, Firestarter, tells the story of Charlie McGee, a young girl struggling to control her pyrokinetic powers. Her parents knew this would be an issue: years earlier, Andy and Vicky McGee participated in a trial run of a new chemical compound, Lot Six, that embedded telekinetic and mind-controlling powers that shady government officials now wish to end. A run in with Rainbird, who had also been experimented on and now acts as a hired assassin wiping out […]
In 2007, Michelangelo Frammartino was scouting locations for Le Quattro Volte in Alessandria del Carretto, whose mayor took him to the Bifurto Abyss, one of the world’s deepest caves. That, along with a follow-up expedition in 2016, planted the seed for Il Buco, Frammartino’s third feature. In the time since, Frammartino has become an avid speleologist, and Il Buco is ostensibly a recreation of the initial exploration of Bifurto in 1961, at the outset of Italy’s “economic miracle.” Frammartino juxtaposes it with the day-to-day life of an aging shepherd, giving the film an elegiac tone as it mixes pastoral myth […]
Held back even longer than No Time to Die, Top Gun: Maverick is the last major film repeatedly delayed by the pandemic to see release. In that time, it’s already taken on multiple unintended resonances, like the irony of this sequel to an uber-patriotic property getting denounced for appeasing communism by Ted Cruz. In December 2020, Cruz took to the Senate floor to decry, among other films proving Hollywood’s unseemly deferral to China, Maverick. Referring—accurately in terms of enrollment rates—to the original as “maybe the greatest Navy recruiting film ever made,” he noted that the Taiwanese flag had been removed from […]
With no conscious motivation, I was repeatedly drawn to films about Russia and the USSR’s former satellite states while sifting through this year’s Visions du Réel. The most formidable, Emilija Škarnulytė’s Burial, visually maximalizes the inherently spectacular structures of nuclear power plants. A sparse clutch of title cards contextualize the Ignalina Nuclear Power Plant (INPP)—built as an equally large sister to Chernobyl, its decommissioning and dismantling now a requirement for Lithuania’s entrance into the EU. The cavernous interiors slowly being broken down include, most captivatingly, a control room wall scanned in a three-minute, smoothly sustained right-to-left dolly, its nodes, buttons, meters and […]