Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film, The Event, in which a filmmaker wakes up his roommate in the middle of the night to ask why he hasn’t watched his short film. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure who keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and […]
When thinking of Armenian cinema, the names of Sergei Parajanov and Artavazd Peleshyan come to mind. These two titans are influential not only for Armenian or Soviet cinema but world film heritage. Both introduced unique storytelling methods—one infusing the screen with poetry and collaged images, the second conceiving of the “Distance Montage” technique. But Armenian cinema, which marks its 100th anniversary this year, has other notable filmmakers whose work deserves no less recognition. ArmenFilm (HayFilm), the first and main film production body of Armenia, was established in 1923 as a separate department within the People’s Commissariat of the Soviet Armenia. […]
Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss their working dynamics and mutual passion for the craft of storytelling. Ethan Tobman describes production design as the art of “visually interpreting the world of a director through emotional architecture.” Below, he and director Mark Mylod discuss their film The Menu and going from reference images on the wall to a fully realized world structured to best absorb the viewer emotionally while furthering the narrative (along with meticulously crafting a last-minute birthday cake […]
Upon the release of her 1985 memoir, Elvis and Me, Priscilla Presley sat down with Barbara Walters to explain her objectives in writing the book: “[Elvis] was a human being, that’s the aspect I’m trying to show. That’s all. That was the intent of the whole book: to show a love story, a man, a human. Not the performer, not the image, not the idol.” In many ways, this is also the aim of the average biopic: to pull back the curtain separating public from private, to reveal the “truth” behind legends and complicate accepted narratives. But while these films […]
Vietnamese American filmmaker Linh Tran’s debut feature Waiting for the Light to Change tells the story of five friends in their twenties who head to a beach house for a weeklong winter getaway. At the center of the group are Amy (Jin Park) and Kim (Joyce Ha), whose once-close friendship seems to be running out of fuel—especially now that Kim is dating Amy’s longtime secret crush, Jay (Sam Straley). As past regrets and resentments come to the surface, Amy and Kim wrestle with painful questions about whether their old selves fit into the new lives they’re trying to create for […]
Walking into SohoWorks Brooklyn, it feels as though you’ve entered someone’s sleek yet warm living room. This cozy assortment of chairs, couches and tables looking out over the East River of New York was the home of the 2023 Variety Gotham Week Expo on October 4th and 5th. The second year of their Expo initiative, these two days were overflowing with timely and cutting-edge conversations between acclaimed and budding organizations in the field. The space reflected the intention and intimacy of this year’s organizing—not always something easy to come by in the city. With over 40 years under their belt, […]
The following guest post was submitted by Brittany Franklin, founder and president of Minorities in Film (MiFILM). Franklin and MiFilm participated in the recent The Gotham Week Expo, a program of Filmmaker‘s publisher, The Gotham. — Editor The energy was palpable at The Gotham Week Expo Sessions on October 4th and 5th, as filmmakers and industry visionaries converged to exchange ideas, share insights and forge connections. Among the many enlightening sessions, Minorities in Film (MiFILM) had the pleasure to present two panels: “Amplifying Your Independent Film: Effective Marketing Techniques for Targeted Audience Engagement” and “Advocacy for the Independent Filmmaker Through […]
“Unfortunately, because aging is so common and natural, we tend to think of it as destiny or something we should accept,” says biologist and researcher David Sinclair. And while the scientist’s work on aging and epigenetics is tied to discoveries in biology from the mid-20th century onwards, within the arts the theme of immortality goes back centuries. Filmmaker Eddie Alcazar, who appeared on our 25 New Faces list in 2011, is the latest to tackle man’s search for eternal life, doing so at a time when interest in longevity and even avoidance of death is contemplated by tech community thinkers […]
Todd Solondz’s indelible Happiness was released 25 years ago today. Filmmaker is reposting here its interview with Solondz, the cover story of our Fall 1998 issue. — Editor Winner of the Critic’s Prize at this year’s Cannes Film Festival, Todd Solondz’s startling new Happiness is not only one of the most challenging and invigorating independent films of the year, it’s also, by virtue of the strange politics of its release, a talking point for prognosticators everywhere concerned with the co-option of indie-film attitude by corporate-controlled majors and mini-majors. Ambitiously weaving five separate tales of modern alienation, romantic woe, and shocking […]
Ahead of the launch of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of meetings between directors and production designers in which they discuss the particularities about their working dynamics as well as how production design can elevate the vision of a filmmaker. Derek Cianfrance and Inbal Weinberg first collaborated on Blue Valentine, which set the stage for exploration and discovery. They continued to experiment with environment and process on such projects as The Place Beyond The Pines and I Know This Much Is True. Here they discuss the delicate balance of artifice and authenticity […]