Open | Filmmaker Magazine

QUIET PARK CITY

Wake up, edit a few pieces for our standalone festival page, and then head to the registration office where I get my badge in about one minute’s time. Walk over to a press screening where I enter just as the movie is starting and get a seat. Later, meet some friends and snag a table for six on Main Street for dinner. Another press screening — this time I stroll in during the opening credits and easily score a good seat. Am I at Sundance? Yes, it is quieter this year. It feels like a lot less people are here. […]

by Scott Macaulay on Jan 17, 2009

Doris Dörrie, Cherry Blossoms

Though little known outside her home country, Doris Dörrie is arguably one of the most important cultural voices in Germany, both in film and across several other cultural forms. Born in Hanover in 1955, she spent two years in the U.S. in the mid 70s studying drama, philosophy and psychology at the University of the Pacific in Stockton, California, and the New School in NYC. She then returned to Germany to attend the School of Television and Film in Munich, during which time she also worked as a film critic. Dörrie directed a series of shorts and worked on television […]

by Nick Dawson on Jan 16, 2009

“THE MISSING PERSON” writer-director, Noah Buschell

[PREMIERE SCREENING: Friday, Jan. 16, 6:00 pm — Library Center Theatre, Park City] For me, “story” is the most overused word in the film world these days. I hear actors saying, “I just wanna tell good stories.” I hear producers saying, “I have an intense passion for storytelling.” Jerry Bruckheimer is in some commercial calling himself a storyteller. Maybe he is. I don’t understand when indie movies became synonymous with storytelling. When did this extreme emphasis on narrative take place? As if a movie doesn’t lend itself equally well to being a poem or a painting. But we don’t hear […]

by Jason Guerrasio on Jan 16, 2009

“DADA’S DANCE” director, Zhang Yuan

[PREMIERE SCREENING: Friday, Jan. 16, 6:00 pm — Tower Theatre, Salt Lake City] A year of significance for China is 1989 — a significant year for many Chinese of my age. It is the year when the Tiananmen Square incident shook the world. In that same year, I concluded my four years of study at Beijing Film Academy and made my debut film Mama. The making of Mama ended up not only holding significant meaning for me but for Chinese cinema in the broader context. Prior to 1989, Chinese film rigidly followed the ways of the Soviet big brother — […]

by Jason Guerrasio on Jan 16, 2009

CHALLENGING THE SUNDANCE SOURPUSSES

Over at Movie City News’s “10 Days of Sundance,” Ray Pride has posted a spirited rejoinder to some of the online Sundance sourpusses who are either celebrating their non-attendance or kvetching already about the shuttle and movie lines they’ll be standing in. Encompassing Dennis Hopper, the Joker, Sarah Palin and Lance Hammer, it begins: THE OTHER DAY, I READ A CYNICAL PIECE OF TRASH by someone who hates this film festival among other things in her or his life and career. It infuriated me. I wish it could be forgotten, made unread. The bit read like some other pieces, about […]

by Scott Macaulay on Jan 15, 2009

GEOFF GILMORE’S SOCRATIC METHOD

Geoff Gilmore asks himself and us all the right questions about change, independent film, and the evolution of film festival’s in this Indiewire First Person piece, launched on the eve of this year’s fest. I especially liked his riff near the end about stopping our natural tendency to “date” films based on their release date. From the piece: Theatrical admissions have trended downwards for a number of years and the importance of consumer preference and choice, of filmgoers seeing films when and how they want, is essential to success for the film industry in the future. The “long tail” of […]

by Scott Macaulay on Jan 13, 2009

2008 in Quotes

Last year, I put together a blog post with a taster of some quotes from Director Interviews I did in 2007 and I have now (somewhat belatedly) come up with a compilation of choice soundbites from this past year. Though in my thoughts on 2008 I expressed the opinion that it had been a below average year for cinema (at least in comparison with the high water mark of 2007), it has been a hugely enjoyable 12 months from my perspective as an interviewer. Any year in which you get to sit down with George Romero, Werner Herzog, Catherine Breillat, […]

by Nick Dawson on Jan 11, 2009

WHAT WILL THE FUTURE HOLD?

At the of Barack Obama’s election-night speech, he had a beautiful bit of oratory in which he remembered an elderly woman and spoke of all the things that she saw in her lifetime. What will we see if we live as long as her, he wondered. That, in essence was the question posed to a distinguished group of artists, writers and thinkers at The Edge. The responses here are of the quality that you want to bookmark the page and read one a day for the next month or so. Formally, the question posed by editor and publisher John Brockman […]

by Scott Macaulay on Jan 10, 2009

VAULTING ACROSS SUNDANCES By Scott Macaulay

Independent filmmakers like to think that they are creating works of art that contribute to an enduring American culture. There’s just one problem: these works of art are disintegrating. Literally. More concerned with life rights than half-life, filmmakers are allowing their films to crumble and dissolve into analog blurs and forests of digital glitches as formats change, materials are uncared for, and elements are left forgotten on lab floors. Enter the Sundance Collection, a collaborative program with the UCLA Film and Television Archive. It is the first archive to be devoted exclusively to the preservation of independent cinema. This year, […]

by Scott Macaulay on Jan 10, 2009

WATCHING THE WATCHMEN

I’ve blogged before about the legal saga surrounding The Watchmen, which is the film news world equivalent of a slow-motion car crash. If you’re a producer, the idea that your film could be held hostage after its completion due to legal issues is the ultimate nightmare. One of the film’s producers, Lloyd Levin, has written an open letter that is posted over at Drew McWeeny’s new blog, Hitfix. An excerpt: One reason the movie was made was because Warner Brothers spent the time, effort and money to engage with and develop the project. If Watchmen was at Fox the decision […]

by Scott Macaulay on Jan 9, 2009

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