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“I Opted for a Low-key Chiaroscuro Look”: DP Sherwin Akbarzadeh on Shayda
Writer-director Noora Niasari’s debut feature, Shayda, is a deeply personal tale of trauma and tenacity. With a script mining from Niasari’s lived experiences, the film centers on the titular character Shayda (Zar Amir Ebrahimi), an Iranian woman living in an Australian women’s shelter with her 6-year-old daughter. With the Iranian New Year upon them, Shayda attempts to forge a new life for them after her recent divorce from abusive husband Hossein. However, when a judge grants him visitation rights with his daughter, Shayda becomes increasingly concerned that her ex-husband will kidnap Mona and flee back to their native Iran. Cinematographer […]
by Filmmaker Staff on Jan 20, 2023 -
“We Hope That This Film and Its Female Narrative Will Echo the Voice of Iranian Women”: Editor Elika Rezaee on Shayda
Elika Rezaee understood that signing on to edit Shayda, the deeply personal narrative debut from writer-director Noora Niasari, would require the utmost sensitivity. The film mines from Niasari’s lived experiences, following the titular character as she and her daughter Mona temporarily move into an Australian women’s shelter after Shayda’s divorce from her abusive husband. When a court order deems that her ex is entitled to visitation rights with their daughter, Shayda becomes afraid that he will take Mona and return to their native Iran. Rezaee tells Filmmaker about her first reaction to Niasari’s script, her editing career origins and how she […]
by Filmmaker Staff on Jan 20, 2023 -
“I Had To Be Very Vigilant With My Self-Care” | Noora Niasari, Shayda
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Given the material was personal and digging into my childhood trauma, every day was an emotional and psychological challenge. Much more than I could have anticipated. It is one thing to be a writer-director-producer on your first feature with an ensemble cast and a large crew, but it is another to do it whilst being triggered from the very material […]
by Filmmaker Staff on Jan 20, 2023 -
“Initially, I Didn’t Intend to Film or Record My Efforts” | David Redmon and Ashley Sabin, Kim’s Video
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? The biggest obstacle was whether to trust the voices that told me, David, to go to Salemi, Sicily, and rent a movie. Ashley suggested to listen to them and said, “Go for it! See what happens.” Initially, I didn’t intend to film or record my efforts to find Kim’s Video in Salemi and rent a movie. But the voices continued […]
by Filmmaker Staff on Jan 19, 2023 -
“In the Desert, There Were Challenges We Couldn’t Foresee”: DP Boaz Freund on The Longest Goodbye
The inherent loneliness of deep space exploration is the foundation of The Longest Goodbye, filmmaker Ido Mizrahy’s latest documentary. Particularly as it concerns NASA’s looming deadline to have a mission blast off to Mars by 2033, Mizrahy explores how technology can aid astronauts in maintaining vital connections—to friends, family and Earth itself—and what scientific advancements are being made to preserve the social and emotional well-being of these intrepid explorers. Cinematographer Boaz Freund, who’s previously collaborated with Mizrahy, tells Filmmaker about shooting in the vast Utah desert, making Mars a character in the film and working with colorist Marc Boucrot. See […]
by Filmmaker Staff on Jan 19, 2023 -
“I Wanted To Make Sure the Film Felt Lived In”: Editor Ryan Kendrick on Sometimes I Think About Dying
The depressing atmosphere of cubicle culture permeates Sometimes I Think About Dying, Rachel Lambert’s latest directorial effort. At least until a charming new hire begins to break down the defenses of Fran (Daisy Ridley), the film’s protagonist who, yes, often thinks about her own death to kill time. Editor Ryan Kendrick tells Filmmaker about his previous collaborations with Lambert, how his history as a documentary editor helped on this narrative project and how he broke into the business. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your […]
by Filmmaker Staff on Jan 19, 2023 -
“A Foray Into the Heart of Different Family Dynamics”: Editor Anouk Deschênes on The Longest Goodbye
While the prospect of traveling on a years-long expedition to Mars might seem like an alien scenario to most, Ido Mizrahy’s documentary The Longest Goodbye argues that we may have more in common with deep space astronauts than we think. Especially in the wake of COVID, we all know the feeling of being indefinitely estranged from loved ones, with only the Internet to aid us in our human quest for connection. Filmmaker asked editor Anouk Deschênes to detail her process on this film, from signing onto the project to cutting the film’s most difficult scene. See all responses to our […]
by Filmmaker Staff on Jan 19, 2023 -
2023 Sundance Questionnaire: Editor Responses
Each year, Filmmaker sends all Sundance feature film or series editors a questionnaire to complete ahead of their film’s festival screening. We also send out cinematographer questionnaires and a single question for feature directors to answer. Below, find links to individual editor responses, which will be updated daily during the festival. “I Love To Look For Good Reactions”: Editor Whitney Houser on Aliens Abducted My Parents and Now I Feel Kinda Left Out “Don’t Settle for What Your Eyes See on the First Day”: Editor Clara Martínez Malagelada on La Pecera “My Techniques Are Intuitive”: Editors Marc Boucrot and Jacqueline […]
by Filmmaker Staff on Jan 19, 2023 -
The 2023 Sundance Question: What Was an Unforeseen Obstacle, Crisis, or Simply Unpredictable Event You Had to Respond To?
Each year, Filmmaker asks all the incoming feature directors at Sundance one question. (To see last year’s question and responses, click here.) We also send out cinematographer and editor questionnaires. This year’s question: Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Below, find links to each director’s individual response to the prompt. Keep checking back here during the festival, as more responses will be posted daily! “A Rare […]
by Filmmaker Staff on Jan 19, 2023 -
2023 Sundance Questionnaire: Cinematographer Responses
Each year, Filmmaker sends all Sundance feature film or series cinematographers a questionnaire to complete ahead of their film’s festival screening. We also send out editor questionnaires and a single question for feature directors to answer. Below, find links to individual cinematographer responses, which will be updated daily during the festival. “We Had To Capture Bioluminescence on Camera in the Most Organic Way”: DP PJ López on La Pecera “It Was -30 to -40 Degrees Celsius for Most of the Shoot”: DP Bryn McCashin on My Animal “You Hope the Work Can Play a Small Part in Moving the Needle […]
by Filmmaker Staff on Jan 19, 2023
