18145 Results for “”
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“Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect
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“A Few Weeks Into Filming, My Father Died Suddenly” | Victim/Suspect Director Nancy Schwartzman
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“It Took an Additional 14 Months of Editing” | Joe Peeler, Bad Press
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? In the fall of 2021, we were about a year into our edit and preparing to submit Bad Press to the 2022 Sundance Film Festival. We had been filming the battle for free press in the Muscogee Nation for two-and-a-half years at that point, and we felt that the story had all but wrapped up. Suddenly, about two weeks before […]
by Filmmaker Staff on Jan 31, 2023 -
“Creative Storytelling Needs Rather Simple Tools”: Editors Tushar Prakash and Hendrik Mägar on Smoke Sauna Sisterhood
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“My Own Sweat Would Drip Onto the Camera”: DP Ants Tammik on Smoke Sauna Sisterhood
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“Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice
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“Two Lenses and a Monitor Did Not Survive” | Anna Hints, Smoke Sauna Sisterhood
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“I Had To Shoot This Film as a One-Person Crew”: DP Luke Lorentzen on A Still Small Voice
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“Okay Whit, I Think You Need to Get Dumber”: Clay Tatum and Whitmer Thomas on The Civil Dead (Back To One, Episode 238)
Clay Tatum and Whitmer Thomas wrote and star in the wonderful new comedy The Civil Dead, which Tatum also directed. On this episode, they discuss their long collaboration and friendship that goes back to Alabama at age 11, doing comedy events in Los Angeles with Power Violence, filming sketches, honing their craft, learning valuable lessons on the HBO/A24 production The Golden One, the importance of rhythm in comedy, the importance of trusting your own voice, and applying it all toward the modest indie film that won the audience award at Slamdance last year and is about to win audiences over […]
by Peter Rinaldi on Jan 31, 2023 -
“All of My Supporting Artists Were Testing Positive” | Nida Manzoor, Polite Society
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? At the beginning of the film there is a big school fight between Ria, the main character, and the school bully. I had always imagined it being set in this grand, round school library, filled with rabid teen girl spectators, creating a bloodthirsty gladiatorial image, a feeling of epic spectacle. When it came to the reality of filming, we were […]
by Filmmaker Staff on Jan 29, 2023
