| Filmmaker Magazine

Martin Hynes, The Go-Getter

LOU TAYLOR PUCCI IN DIRECTOR MARTIN HYNES’S THE GO-GETTER. COURTESY PEACE ARCH RELEASING. Though best known for playing a legendary director on screen, Martin Hynes seems destined to become an auteur in reality as well. A native of Eugene, Oregon, Hynes studied history at Columbia before embarking on a career as an actor and sketch comedian. He then enrolled in the graduate film program at USC where he not only made the highly-regarded short Al As In Al (1995) but played the eponymous lead in Joe Nussbaum’s cult favorite George Lucas in Love (1999). He made his feature debut with […]

by Nick Dawson on Jun 5, 2008

SUBMITTING TO HITCHCOCK

A couple of new writers have been added to the Spout Blog, and one, Lauren Wissot, has her first post up today. Wissot is a filmmaker and writer who has written for her own blog, Beyond the Green Door, as well as The House Next Door. Her debut piece for Spout is entitled “Dial S/M for Marnie” and it looks at Hitchcock’s film through the lens of kink: An excerpt: What neither the feminists nor cinephiles seem to appreciate is that Marnie is one of the greatest bondage and discipline (B&D in sadomasochistic parlance) pics of all time. Artfully disguised […]

by Scott Macaulay on Jun 4, 2008

SAG ‘S INDIE WAIVERS

Michael Fleming and Dave McNary have a piece in Variety on SAG’s granting of waivers to independent productions allowing them to proceed with their shoots undeterred by the possible upcoming strike. From the piece: The stars and studios are nonetheless gearing up for the worst possible scenario. The current number of waivers is triple what SAG had signed three months ago — and an indication there will be a modicum of feature shooting in the coming months. Even if there’s no SAG strike, the major studios will probably need a few months to slot in production starts, so indie projects […]

by Scott Macaulay on Jun 3, 2008

PARAMOUNT VANTAGE: CONSOLIDATED!

Nikke Finke at her Deadline Hollywood Daily is reporting that the marketing, distribution and physical production departments of Paramount Vantage are being folded into its parent company, Paramount. Here’s the official press release: Paramount Pictures and Paramount Vantage today announced the consolidation of its marketing, distribution and physical production departments, which will serve both entities. The merged marketing department will be lead by Gerry Rich (President, Worldwide Motion Picture Marketing). Megan Colligan and Josh Greenstein who were promoted to Co-Presidents of Domestic Marketing, will report to Mr. Rich. The consolidated distribution department will be lead by Jim Tharp (President, Domestic […]

by Scott Macaulay on Jun 3, 2008

AVOIDING THE INDIES?

A lot of political bloggers (which I’ve been reading to check out the responses to tonight’s amazing but also surreal evening of politics, which included not only the speeches by the three major candidates but also Terry McCauliffe’s bizarre, would-be comedy act on The Daily Show) have been linking to “101 Movies to Avoid Watching Before You Die” on the Crooked Timber site. The point of the post is self-evident; it’s a riff on those lists like The Guardian’s “1000 Films to Watch Before You Die.” And as an independent film champion, I’m startled by a lot of the responses […]

by Scott Macaulay on Jun 3, 2008

WHERE FILM AND INTERNET COLLIDE (AT THE IFC CENTER)

Thursday, June 5, Filmmaker, the IFC, IndieGoGo and the IFP are hosting an evening at the IFC Center that is part of Internet Week New York. It’s called “Where Film and Internet Collide,” and it’s one of three events going under this name that are dedicated to the merging of filmic and web sensibilities when it comes to creating new work. At the IFC we’ll be screening a number of interesting works created for the web and then will be discussing these works and web production in general with their creators. There will be plenty of time for questions, so […]

by Scott Macaulay on Jun 3, 2008

Stuart Gordon, Stuck

MENA SUVARI IN DIRECTOR STUART GORDON’S STUCK. COURTESY THINKFILM. Since the very beginning of his career, Stuart Gordon has set out to shock and disrupt. Gordon, a native of Chicago, began his assault on the public after developing a love of drama at the University of Wisconsin. He subsequently started the Screw Theater – which made national news in 1968 when they performed a nude, psychedelic version of Peter Pan – and went on in 1970 to found the Organic Theater Company in Chicago, where he was artistic director for 15 years. Over that period, Gordon worked with Roald Dahl, […]

by Nick Dawson on May 30, 2008

SIDNEY POLLACK, 1934 – 2008

Sidney Pollack, director of such films at Tootsie, Out of Africa, Sketches of Frank Gehry, and Three Days of the Condor died today of cancer. He was 73. In addition to directing, Pollack was an active producer (credits include Michael Clayton, The Talented Mr. Ripley, and Cold Mountain) as well as an actor, appearing in such films as Eyes Wide Shut, Husbands and Wives, and, recently Clooney’s Michael Clayton. Within the world of big-budget Hollywood moviemaking, Pollack brought intelligence, political awareness, and solid craftsmanship to projects in a variety of genres and subject matters. He was also one of the […]

by Scott Macaulay on May 26, 2008

THE QUESTION OF REALITY

It is a sign of insanity to do the same thing over and over (like make an independent film) and expect different results? At GreenCine, Jonathan Marlowe re-poses the question of the moment in a piece entitled “Studios didn’t build their sales models for you”: Under these circumstances, why are filmmakers still holding out for the legendary promise of a theatrical release? When the likelihood of success for films made on spec (that is, a film made with private money on the hopes of selling it to an established studio or distributor) approaches the same statistics as the chances of […]

by Scott Macaulay on May 26, 2008

BRIAN ENO AND THE NEW FOLK MUSIC

Brian Eno, who just turned 60, is interviewed in Wired, and as part of his long conversation he talks about the changing definition of the artist in the digital/social-networking age. Wired: Much has been made about the way tech (MySpace, digital distribution) has sped up the whole hype/buzz process. Had your career gone from 0 to 160mph the way it could today, how might that have influenced your development as an artist? What effect has Internet technology and culture had on art and artists? Eno: That’s an interesting question. The effect of highly accelerated careers could be this: Ideas are […]

by Scott Macaulay on May 26, 2008

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