| Filmmaker Magazine

TWO WEEKS NOTICE?

In the Telegraph’s profile of Nicole Kidman, in which she talks about many things, including her involvement in Steve Shainberg’s currently lensing Fur, one paragraph stands out: “When she finishes Fur she has scheduled two weeks’ work on the drama The Lady from Shanghai in Hong Kong and has nothing else planned except a vague commitment to do a film with Crowe and Australian director Baz Luhrmann sometime in the not-too-near future.” Two weeks work on a Wong Kar Wai film? Um… I wouldn’t lay odds on it. Of the film and Kidman, the director has said, “Normally I will […]

by Scott Macaulay on Jul 29, 2005

FINCHER’S DAY AT THE OFFICE

David Fincher’s music video for Nine Inch Nail’s “Only,” which features effects by Digital Domain, is online here.

by Scott Macaulay on Jul 28, 2005

DEEP PSYCHOLOGICAL PROBLEMS

In an age in which every last Jess Franco movie is the subject of some scholarly essay or post-modern reverie, it’s refreshing to read J.R. Taylor’s interview with ’70s/’80s grindhouse icon Roberta Findlay in this week’s New York Press. And while Taylor starts with a bit of romantic nostalgia for trash-film viewing on the Forty Deuce, Findlay quickly throws some cold water on it all: “‘People who like those old movies seem to have deep psychological problems,’ she explains. ‘Under the best of circumstances, I wouldn’t call any of them art. My first budget was $5,000. That was the deal. […]

by Scott Macaulay on Jul 21, 2005

CHIP SHOTS

If you’ve been reading this blog for a while you’ll know that one topic we occasionally post about is the impending synergy between new consumer electronics devices and downloadable visual media (i.e., movies). I posted previously about Apple’s switch to the Intel processor and linked to a piece speculating that it had something to do with placing an Intel chip with digital rights management controls within a computer like the Mac mini, thereby creating a kind of Tivo-alternative. Now comes this article on the Ars Technica site which continues this thinking, claiming that what Apple is really after is getting […]

by Scott Macaulay on Jul 15, 2005

SCENE 2257, TAKE 2

Since I don’t think readers of this blog always click through to the occasional comments linked below the entries, I thought I’d highlight here a link provided by an anonymous respondent to my blog titled “The Skin Game,” below. In it I highlighted the absurdity of the Department of Justice’s new “2257” regulations and wondered why the indie community, which marshalled a veritable army of producers-turned-activists when promotional screeners were banned, has been completely silent on this issue which involves not only de facto censorship but privacy rights, sidestepping the Fourth Amendment and more. (Currently, the Free Speech Coalition, which […]

by Scott Macaulay on Jul 9, 2005

TO WALK NEXT TO ONE’S SHOELACES IN AN EMPTY FRIDGE

I just returned from the opening of filmmaker Chantal Akerman’s new installation, To Walk Next to One’s Shoelaces in an Empty Fridge, at the Marian Goodman Gallery on 57th St. in New York. It’s a really beautiful work, and anyone interested in the Belgian filmmaker or autobiographical media art in general should make an effort to check it out. The installation takes place in two rooms. In the first, text fragments from an autobiographical writing Akerman published last year are projected on a scrim which scrolls inward within the space like a gossamer Richard Serra sculpture. In the second, a […]

by Scott Macaulay on Jul 8, 2005

THE END OF RENAISSANCE

Via this article in Variety comes sad news: Renaissance, the London-based sales company, has shut down, declaring bankruptcy and pinkslipping its employees. A company that mades its name as a producer of such films as The Madness of King George and Wings of a Dove, Renaissance was one of the international sales companies that took an active interest in the American independent sector. It invested production coin in films like Rose Troche’s The Safety of Objects and was sales repping such films as We Don’t Live Here Anymore, Todd Louiso’s upcoming Macbeth, Gregg Araki’s upcoming Creeeps and two 2005 Sundance […]

by Scott Macaulay on Jul 7, 2005

THE SKIN GAME

Filmmaker has been on press the last week so that has meant that we’ve been slacking on the blog. But one of the things I’ve been meaning to post about is the government’s new “2257” regulations which, on the sheer basis of their audacity, should be provoking outrage in the independent world. Strangely, though, our indie sector has been quiet on this government intrusion on content creators, probably because it specifically targets adult entertainment. Anyway, this Newsday editorial does a far better job than I could have explaining why you should care about these new regulations. Here’s an excerpt: “Regardless […]

by Scott Macaulay on Jul 7, 2005

DON’T QUIT YOUR DAY JOB, LUC

In this article in The Guardian on London’s winning Olympic bid, the newspaper gives a mini-review to a new film by Luc Besson: “Earlier, Paris had been the first to address the IOC. The French attempted to match their audience, using exclusively white middle-aged men to deliver their message, culminating in a plea from President Jacques Chirac. Even a promo film directed by Luc Besson seemed staid, featuring enough talking heads to suggest the great auteur has a future in corporate videos should the Hollywood commissions end. It was unspectacular, but many believed it still might be good enough to […]

by Scott Macaulay on Jul 6, 2005

FINDING OUT THE WINNERS

Film Independent (formerly the IFP/Los Angeles) announced the winners of its 2005 Los Angeles Film Festival. Mark Banning won the Target Filmmaker Award for Best Narrative Feature for his Jellysmoke, and the Target Best Doc Award went to Beth Bird for Everyone Their Grain of Sand. The Audience Award for Best Narrative Feature went to Miranda July’s Me and You and Everyone We Know. David Zeiger’s Sir! No Sir! won the Audience Award for Best Documentary Feature. Luc Jacquet’s March of the Penguins won the Audience Award for Best International Feature. Catherine Kellner and Ebon Moss-Bachrach of Leslie McCleave’s Road […]

by Scott Macaulay on Jun 27, 2005

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