Newly released is the first trailer for the thriller, New Life, the directing debut of Emmy-award-winning journalist John Rosman. Rosman was one of Filmmaker‘s 2023 25 New Faces, selected on the basis of this film, which Erik Luers described thusly: “A tale of two women—one being chased, the other a fixer doing the chasing—New Life is a pandemic-era horror film that rewards its audience with gory twists and a surprisingly heartfelt center.” One of the film’s two lead characters faces ALS, a subject Rosman covered for PBS while a journalist. Of the journey of his Fantasia-premiering film’s characters, Rosman said, “One […]
“I often don’t remember my dreams, and so when I do, I’ve learned to listen to what my subconscious could be trying to tell me,” director Jane Schoenbrun told Filmmaker in the leadup to the 2024 Sundance Film Festival, where their sophomore dramatic feature, I Saw the TV Glow, premiered to acclaim. That admission could be seen as something of a mission statement for Schoenbrun, one that might also have been made about their 2021 microbudget debut, We’re All Going to the World’s Fair. In World’s Fair, a sinister online role-playing game haunts the internet, becoming a sort of roiling […]
The film and TV industry has been through a lot these past four years, including the start of a pandemic and two strikes. Then, there’s inflation, one of the causes of another issue: skyrocketing food prices. That means that on-set catering, an oft-overlooked but important part of any production, has been hit with a triple whammy. There are other matters as well—food quality, increasing focus on dietary restrictions, waste. As productions get back to work post-strikes, caterers—and those who hire and eat from them—are juggling a return to normal and new challenges. Set caterers are responsible not only for lunch—which, […]
If the most frequently used pejoratives for contemporary films—“dim,” “muddy,” “inaudible”—are to be believed, we’ve entered a literal dark age of cinema, with cinematographic and sonic tools pushing filmmakers to ever-greater depths of audiovisual obscurity. For more than a decade, Christopher Nolan has incurred the wrath of audiences who prefer their dialogue clearly audible.1 Five years ago, the Game of Thrones episode “The Long Night” propelled the topic of the visual “New Darkness” into mainstream discourse. That this seemingly unsustainable state of affairs has persisted for as long as it has is, to many outside observers, perplexing. Why haven’t we […]
Debuting at True/False (followed by First Look), Elizabeth Nichols’s Flying Lessons is a beautiful ode to a New York City Lower East Side artist as well as to the larger “dying breed” that once roamed the streets of Alphabet City, performing in its now extinct clubs. Importantly, it’s also a call to end rampant gentrification and a love story between director and character all rolled into one. The drama began, rather unhappily, with an eviction notice after NYC real estate owner/convicted fraudster Steve Croman bought the building Nichols was living in as a rent-stabilized tenant. Within months the “Bernie Madoff of landlords” had unleashed […]
After her feature directorial debut The Fallout (2021), a film about a high-school shooting, Megan Park was feeling the weight of its emotional aftermath. “When you make a movie, you live in that world for years,” she tells Filmmaker at Sundance Film Festival. “I wanted an escape, and I wanted to be nostalgic.” So she went back home to Canada and started thinking about what became the genesis of My Old Ass, a bittersweet coming-of-age comedy, and, gradually, a reflective tearjerker that left Sundance audiences sobbing. “It was this idea of the last time your whole family sleeps under one […]
A decade after Buffalo Juggalos, which explored the Faygo-spattered milieu of the Juggalo subculture in his native Buffalo, N.Y., Scott Cummings returns with a full-length immersion into another misunderstood community, the Church of Satan. Realm of Satan, which premieres Jan. 21 in the NEXT section of the Sundance Film Festival, is a deeply collaborative endeavor that adapts the philosophy and practices of the church into a rigorous yet playful visual approach that also takes liberties with observational form through inspired use of VFX. Cummings, who began work on the film in 2016 and persisted through the pandemic, spoke with Filmmaker […]
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Given the investigative nature of Seeking Mavis Beacon, I knew I wanted to play with elements of noir and true crime. It’s worth mentioning that I have a contentious relationship with these film genres but, aesthetically speaking, they’re rife with visual motifs that […]
A feminine coming-of-age film by way of Frankenstein, Yorgos Lanthimos’ gorgeously designed Poor Things follows Bella Baxter (Emma Stone), an unhappy and suicidal woman brought back to life by the enigmatic scientist Baxter (Willem Dafoe), and then embarking on a feminist journey of equality and sexual liberation. Bella’s voracious appetite for all the colors of life and sex (as well as Lanthimos’ signature maximalist touches) infuses Poor Things with boundless exuberance, matched by costume designer Holly Waddington’s extraordinary work—both late-19th-century, and fiercely modern and rule-breaking. “I realized that I would need the clothes to really move with her, not just […]
The Killer begins with an assassin (Michael Fassbender) in a half-completed WeWork office awaiting the arrival of his latest target. As he waits, he details his vocational mantras for the audience in voiceover: stick to the plan. Don’t improvise. Never yield an advantage. Forbid empathy. Fassbender proceeds to miss his shot and spends the rest of the film breaking each and every one of those tenets in the chaotic aftermath. Many of the pieces written about the film have pointed out perceived similarities between the film’s methodical, detail-oriented titular character and the perfectionist reputation of its director, David Fincher. However, […]