Starring True Blood‘s Ryan Kwanten, Red Hill is a suspenseful modern-day Western that uses Australia’s dramatic and vast landscapes to stage a drama of frontier justice with an antagonist right out of Halloween-style horror film. Kwanten plays a city cop assigned to a small outback town where he intends to raise a baby with his very pregnant wife. But his move coincides with the escape of Jimmy Conway (Tom E. Lewis) from the local jail. The indigenous Jimmy was wronged years ago, and his brand of frontier justice consists of non-stop mayhem. In my conversation with Hughes, he spoke about […]
Damien Chazelle’s Guy and Madeline on a Park Bench is a throw back and perhaps a harbinger of things to come, a bebop tinged DIY mumblemusical that, despite its New Wavesque 16mm B&W aesthetic, is very much a movie of this time and moment. It concerns a relatively young, black and talented trumpet player named Guy and his would be, perhaps still his lover, a white grad student named Madeline (the oddly alluring Desiree Garcia). Played by real life Boston jazz scene leading light Jason Palmer, Guy engages in a series of pseudo-romances, bemoans the marginality of the relatively esoteric Jazz […]
Here’s a little treat for ya on Halloween! Today on Kevin Smith‘s blog, Silent Bob Speaks, the outspoken writer-director put up a teaser poster of his next film, Red State, his first foray into horror. In the past Smith has described the film as being loosely based on religious extremism, and its one he’s talked about making for years. If you follow Smith on Twitter you know he finally found enough money to shoot it over the summer, and according to his blog post, principal photography is now wrapped. Smith on the poster: Moody, weird, and pitch-perfect for the tone […]
Are you a reader of Filmmaker Magazine interested in being part of online coverage of the independent film world? Filmmaker is looking for an intern to assist with the publishing of its website, FilmmakerMagazine.com, as well as the managing of Filmmaker’s online community. Ideal candidates will have strong writing and communication skills, a sincere interest in both the artistic as well as the business and production sides of independent filmmaking, and will have familiarity with online publishing. Responsibilities will include research and fact-checking, copy-editing, news and link gathering, event coverage, light writing, and assisting with community forum management as well […]
Remember that Paramount micro-budget division, Insurge, announced in the wake of Paranormal Activity‘s big success? The one we all got excited about? Well, the company has released the first trailer from its first production, and it is embedded below. Pamela McClintock has an update on the company in Variety. (Note: paywall.) From her piece: At the time, the studio said it was committing $1 million for Insurge to produce or acquire 10 films with budgets of $100,000 each. But if the industry expected Insurge to be a traditional division, operating under traditional rules, it was wrong. Half a year […]
Congrats to Filmmaker 25 New Face Kentucker Audley for winning Best Narrative Feature at the Memphis Film Festival with his latest, Open Five. As I blogged last week, Audley has made the entire feature available for a limited time on his site (or, embedded below). Also winning awards were films by three other “25 New Face” filmmakers — The Colonel’s Wife (Brent Stewart), Mars (Geoff Marslett), and Blackmail Boys (under a pseudonym, Morgan Jon Fox). The complete awards are below. Jury Awards Announced for 13th annual Indie Memphis Film Festival Category: Uncategorized — admin @ 12:58 pm NARRATIVE FEATURE AWARDS […]
Both a Cannes sensation and a hit television miniseries in France, Olivier Assayas’s Carlos, an incisive and exciting look at left-wing mercenary Ilich Ramírez Sánchez and the political culture that sustained him, now comes Stateside.
Roberto Quezada-Dardon learns why digital intermediate has become an essential tool for filmmakers.
Making a business out of independent film is harder than ever. But still, great films are being made. In this series of short profiles, Filmmaker asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space.