production | Filmmaker Magazine

YOU’RE NOT ON THE LIST!

Filmmakers attending Sundance next week may hear the line above as they stand outside the Cinetic or William Morris parties, but for, oh, a couple of thousand feature directors, those words came a bit early – when they got their Sundance rejection letters. As Filmmaker’s editor, I go through several phases when I review Sundance’s annual list. There’s my first, “Oh, great, that got in” reaction when I see that films I’ve been looking forward to screening have made the cut. And then there’s the “Wow, how did they get that finished in time?” take on movies that entered production […]

by Scott Macaulay on Jan 7, 2007

A New Humanity

CLIVE OWEN AND JULIANNE MOORE IN CHILDREN OF MEN. Set in 2027, Alfonso Cuarón’s latest picture, Children of Men, takes place in a bleak England where it’s been 19 years since the last baby was born. Mankind’s future seems grim, and most of the world has devolved into anarchy. Random security checks and bombings have become an everyday occurrence as Great Britain franticly tries to protect its island from illegal immigrants. Theo, played by Clive Owen, spends his days in a drunken haze, often escaping the city to smoke pot with his old hippie-friend Jasper (Michael Caine) in the country. […]

by Jason Guerrasio on Dec 22, 2006

SEEING DOUBLE

The Golden Globes were announced today and the big news are the duel nominations given out to Clint Eastwood for Best Director (Flags of Our Fathers, Letters From Iwo Jima) and Leonardo DiCaprio for Best Actor (Drama) (The Departed, Blood Diamond). As always it would have been nice to see The Hollywood Foreign Press think outside the box and give nominations to say Ryan Gosling for Best Actor or Pedro Almodovar for Best Director instead of taking the safe route but I guess that would be asking too much. The Globes will take place on January 15 on NBC. And […]

by Jason Guerrasio on Dec 14, 2006

GATHERING THE TRIBES

Screenwriter Annie Nocenti (she wrote Patriotville, directed by Talmage Cooley, which is currently in post-production) just returned from Baluchistan where she shot a documentary with partner Wendelin Johnson. She’s written a piece for The Brooklyn Rail discussing her trip which is a fascinating portrait of a “modern Sitting Bull”: the Khan of Kalat, Mir Suleiman Daud (pictured). A “chief of chiefs” in Baluchistan, one of Pakistan’s tribal provinces which also borders Iran and Afghanistan, Khan Suleiman is a Gucci shade-wearing, Hummer-driving statesman trying to unify the tribes towards an independent Baluchistan so that his people can stave off a “slow-motion […]

by Scott Macaulay on Dec 14, 2006

KNOWLEDGE IS POWER?

When we started Filmmaker, one of the key lines in our mission statement was that we were “demystifying” the process of feature film production. It’s still a key tenet of the magazine and the philosophy behind it has remained unchanged: by giving filmmakers the information on how films are financed, produced, sold and distributed, we’re helping enable newcomers to enter the filmmaking process and realize their visions. But is it really necessary for first-time filmmakers to know all about these things? By that I mean, isn’t a healthy amount of denial and willful ignorance essential to the process of getting […]

by Scott Macaulay on Dec 12, 2006

REVISITING STONE’S WORLD TRADE CENTER

As part of its Oscar campaign for Oliver Stone’s World Trade Center, Paramount is streaming online EPK material on the making of the film, including interviews with its production designer, d.p., sound team and more.

by Scott Macaulay on Dec 10, 2006

PENNILESS

Larry Fine has a piece up at Reuters noting the dissolution of InDigEnt, the innovative low-budget film company created by Gary Winick and John Sloss that was behind pictures like Tadpole, Personal Velocity and Pieces of April (pictured). From the piece: “I kind of think we had our moment in time. Unfortunately there is no million-dollar film any more that actually gets in the market place and makes some money because the studios want the Capotes’ and the ‘Sideways‘ … they want the $8-million film to make a $100 million instead of the $1-million to make $10 (million). That’s the […]

by Scott Macaulay on Dec 6, 2006

ASK RYAN AND ANNA

If you’re wondering how filmmakers Ryan Fleck and Anna Boden made a great first feature that has racked up a ton of awards, including last night’s Gotham win, well, ask them yourself. The Daily Reel has them in their “Ask the Expert” section. Click on the link for the email address to forward your own questions about independent production.

by Scott Macaulay on Nov 30, 2006

On the Move

Gotham Awards Tribute recipient Ellen Kuras takes us into the fast-paced life of an in-demand DP. Ellen Kuras operates like a perpetual-motion machine. One moment she’s photographing Michel Gondry’s latest feature. The next, shooting The Rolling Stones for Martin Scorsese. There are meetings with Lou Reed about an upcoming concert project. Also, a long-gestating documentary she’s been directing at every opportunity. And in between all of that, she found time to replace her old car that just died and pick up her new tailless cat from the vet. ELLEN KURAS. There are, of course, rewards to such endeavors. Like being […]

by Jason Guerrasio on Nov 27, 2006

ALTMAN REMEMBERED

Robert Altman’s production company, Sandcastle 5, has relayed some appreciations of the great director from his friends and colleagues: “I was friends with Bob for 20 years before we worked together on GOSFORD PARK. It was then that I experienced the real magic of Robert Altman. When he was working he had a youthful joyfulness that was just amazing.” – Bob Balaban “I have always admired Robert Altman’s films and it was an honor to work with him on A PRAIRIE HOME COMPANION. We had so much fun working on that project over the past year and I know that […]

by Scott Macaulay on Nov 22, 2006

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6579 Results for “production”