6580 Results for “production”
-
“It Cost Us Nearly a Quarter of Our Budget To Be Shut Down for Two Weeks” | Jacqueline Castel, My Animal
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? My Animal was not an easy shoot—we shot nights in the dead of winter in an isolated community in Northern Ontario. While there were a lot of challenges, the biggest and most obvious crisis we faced as a team was a COVID shutdown that resulted in a two week suspension of the shoot. This was what I had feared the […]
by Filmmaker Staff on Feb 4, 2023 -
“Marjaneh Moghimi, the Lead Producer of the Film, Unfortunately Passed Away” | Babak Jalali, Fremont
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? The way Fremont went into production was influenced by a very sad event. Marjaneh Moghimi, the lead producer of the film, unfortunately passed away a couple of weeks into pre-production, which was also about two weeks before we started shooting. This was a film we had worked on together for a few years. Once we knew about her condition, the […]
by Filmmaker Staff on Feb 4, 2023 -
“A Rare Series of Earthquakes Shook the Island” | Glorimar Marrero Sánchez, La Pecera
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Unpredictable events and obstacles were constant factors during the development of La Pecera (The Fishbowl). In 2017, Puerto Rico was embattled by a category 4 hurricane that caused catastrophic damage across the island and impacted the priorities of many people involved in our production. Then in 2020, a rare series of earthquakes shook the island. These two events led to […]
by Filmmaker Staff on Feb 4, 2023 -
“We Had To Capture Bioluminescence on Camera in the Most Organic Way”: DP PJ López on La Pecera
In La Pecera, the feature debut from writer-director Glorimar Marrero Sánchez, Noelia (Isel Rodríguez) decides to relocate to the Puerto Rican island of Vieques where she grew up after her cancer returns. Reunited with her mother and the island’s natural beauty (and traumatic past of being a U.S. Army testing ground), Noelia refuses treatment and reflects on the root of her long-term illness. DP PJ López discusses lensing the film, which included a difficult night shoot that captured bioluminescence on camera. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being […]
by Filmmaker Staff on Feb 4, 2023 -
“Shoot Wide and Close!”: DP Jeremy Prusso on Aliens Abducted My Parents and Now I Feel Kinda Left Out
When high schooler Itsy (Emma Tremblay) moves to Pebble Falls with her family, she befriends the neighbor kid Calvin (Jacob Buster) who has a strange obsession with outer space. Soon, he reveals the true root of his fascination: Calvin believes that his parents have been abducted by aliens, and he desperate watches the skies for an opportunity to join them among the stars. Jake Van Wagoner weaves a tale of adolescent anxiety and adjustment in Aliens Abducted My Parents and Now I Feel Kinda Left Out. Cinematographer Jeremy Prusso discusses the process of shooting the film, which premiered in Sundance’s […]
by Filmmaker Staff on Feb 4, 2023 -
“On the Last Day We Needed That Driving Scene”: Sing J. Lee on The Accidental Getaway Driver
Having amassed an impressive CV of high profile music videos and commercials with A-list talent, director Sing. J Lee makes his feature debut with The Accidental Getaway Driver, a narrative based on true events. Not the only film at Sundance this year based on an article from a major publication, Lee’s film takes as its inspiration a 2017 GQ article that recounted the night an elderly Vietnamese-American cab driver picked up three customers who, unbeknownst to him, were recent escapees of the Orange County Men’s Central Jail. As the evening quickly devolved into danger and chaos, the driver was held hostage, […]
by Erik Luers on Feb 3, 2023 -
“On Any Road of Vieques, There’s Beauty Around”: Glorimar Marrero Sánchez on La Pecera
From the 1940s until 2003, the U.S. Navy used Vieques as a bombing range and military-training site, deploying heavy metals and toxic chemicals, such as napalm and depleted uranium, that left the island contaminated. Today, Vieques has some of the highest cancer rates in the Caribbean, though the U.S. government continues to deny that its activities are responsible. In writing La Pecera, Glorimar Marrero Sánchez sought to reflect the symptoms of colonialism both literally and symbolically, through the character of a woman whose body has been colonized by cancer—a disease, the film asserts, connected to the Navy’s pollution of Vieques. […]
by Isaac Feldberg on Feb 3, 2023 -
“A Collaboration of Kindred Expression”: Editor Mark Bukdahl on Twice Colonized
Greenlandic Inuit activist and lawyer Aaju Peter is the subject of Twice Colonized, a documentary by filmmaker Lin Alluna. Through her work, she forces colonizing forces Denmark and Canada to pay for their crimes, while also inspiring Westerners to grapple with the ways that they are also complicit in imperialist injustices. As she’s preparing for an Indigenous forum at the EU, however, her youngest son suddenly dies, bringing forth an extended period of intense grief and an eventual path toward healing. Editor Mark Bukdahl talks about cutting the film, including his non-cinematic inspirations and how “editing is an exercise in […]
by Filmmaker Staff on Feb 2, 2023 -
“Many Moments Are Raw and Shot on Intuition”: DP Iris Ng on Twice Colonized
Twice Colonized, the documentary from filmmaker Lin Alluna, focuses on the life and activism of Aaju Peter, a Greenlandic Inuit who advocates for the human rights of Arctic Indigenous people like herself. As a lawyer, she fights for accountability from Danish and Canadian colonizing forces, all while inspiring Westerners as a whole to confront their own colonial attitudes. As she’s preparing for an Indigenous forum at the European Union, she goes on a journey of personal healing and sudden loss when her youngest son tragically passes away. DP Iris Ng discusses how she came aboard the project, the third cinematographer […]
by Filmmaker Staff on Feb 2, 2023 -
“We Opened up the Film Again and Re-imagined the Entire Scene” | Lin Alluna, Twice Colonized
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? We had a moving scene in the film where Aaju had a conversation with some friends who were concerned for her well-being, but it was a very private conversation. After the film was approved and locked, Aaju had second thoughts about the scene, so we opened up the film again and re-imagined the entire scene. Working with editor Mark Bukdahl, […]
by Filmmaker Staff on Feb 2, 2023
