After eight years—much of them spent developing projects that never came to fruition—Mud and Midnight Special filmmaker Jeff Nichols is thankfully back with a new movie. That means cinematographer Adam Stone is back with a new movie too. After meeting Nichols at the University of North Carolina School for the Arts, Stone has been behind the camera on all six of the director’s features. Every one of them has been shot on 35mm, including the pair’s latest collaboration, The Bikeriders. Lensed in and around Cincinnati, the movie takes its inspiration from the photographs and stories in Danny Lyon’s titular 1968 […]
by Matt Mulcahey on Jul 11, 20242nd Chance continues director Ramin Bahrani’s concern with people on the margins of society pursuing the American Dream. The documentary examines the case of Richard Davis, a bankrupt pizzeria owner who invented the bulletproof vest, only to find his reputation sullied after a defective product led to the death of a police officer. Below, cinematographer Adam Stone explains how the intrigue of the subject led him to take a hands-off approach that emphasized character and narrative rather than style. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led […]
by Filmmaker Staff on Jan 22, 2022In the summer of 2005, with roughly $50,000 scraped together from friends and family, Jeff Nichols made his directorial debut Shotgun Stories not far from where he grew up in Little Rock, Arkansas. Two things haven’t changed since – Michael Shannon has been in front of the camera for every Nichols movie and cinematographer Adam Stone has been behind it. That includes Take Shelter, Mud, and now Midnight Special, which elevates Nichols to the studio realm with a tale of a father (Shannon) and his “special” son (Jaeden Lieberher) on the run from the government and a religious cult with […]
by Matt Mulcahey on Jun 30, 2016