On December 2nd, 2012, filmmakers from as far away as Canada, Croatia, Tanzania, Switzerland, and Brazil converged in downtown Austin, Texas for Masters in Motion, a three-day immersive filmmaking workshop, held annually at the world-famous Alamo Drafthouse on 6th Street. Despite having a Canon C500, C300, C100 and an array of DSLRs from Lens Pro To Go on hand, in addition to the Phantom Flex and TS3 Cine provided by Rule Boston Camera, the vibe of the event was summarized perfectly in this tweet: “@niceladypro Refreshing going to a 3 day filmmaking workshop where people don’t talk about the camera […]
by Jon Connor on Jan 7, 2013Alex Buono, the cinematographer for the Saturday Night Live film unit, recently spoke at an event in Boston. (See: Alex Buono: Shooting for Saturday Night Live.) In addition to discussing his work on Saturday Night Live, he also talked about gear, technology, and his philosophy of shooting. Part of the reason Alex gave the presentation was to demonstrate and talk about the Canon C300, but he was careful to stress, as Roger Deakins said, “Cinematography is more than a camera,” or as Alex put it: “Filmmaking is not a science project.” Here are some of the topics he touched on: […]
by Michael Murie on Aug 17, 2012Alex Buono is perhaps best known for his work with the Saturday Night Live Film Unit. He shot the current opening for SNL, as well as many of the fake commercials seen on the show, but his passion is documentary and making independent films. “I’m always trying to get the next one off the ground,” says Buono, “and SNL, as much as I like it, it’s a lot of fun and I really like who I’m working with, [but] it’s this great day job I do while I’m trying to get a movie [going].” Most recently, Alex worked on the […]
by Michael Murie on Aug 16, 2012