I’m back and armed with memories of the moments my life got changed. Will you indulge me as I address the highlights? I’ll actually focus on one day, because during this day there was an odd series of highlights that scrambled my grey matter and re-made me into a whole – new – guy. January – twenty – seventh was an early morning because I was invited to sit on a Cinema Café panel moderated by John Nein, with fellow filmmakers Benh Zeitlin and Marialy Rivas. Ben made Beasts of the Southern Wild, which literally jumped inside my left ventricle […]
by Terence Nance on Feb 9, 2012Sundance 2012 is in the wind, but Stephen and Patrick from the National Film Society are back with another interview they filmed during the festival. This time out, the duo sit down with director Terence Nance (An Oversimplification of Her Beauty) and actress Namik Minter. Minter and Nance, who spent over half a decade readying Oversimplification, are good sports, answering Stephen and Patrick’s questions about their favorite part of being in love, their least favorite part of being in love, and how to get into Sundance parties. Watch the interview:
by Jane Schoenbrun on Jan 30, 2012Today is the day. I’ve been working to finish this movie since 2006. There were moments in the six years since putting pen to page during which I couldn’t make this day out in my future. Not that I considered quitting, that isn’t my style, but I did at times feel like the journey of making this film would stretch into eternity. This is not unprecedented, check out Ellison’s second book or Wendell B. Harris’ second movie. To avoid that fate I had to take an extreme measure and commit myself to working 12 hours a day 7 days a week until the movie was finished. This […]
by Terence Nance on Jan 22, 2012[PREMIERE SCREENING: Saturday, January 21 9:00 pm –Egyptian Theatre, Park City] I come from a studio art background and consider myself an artist who made a film. I make music, murals and performances as well, so I hesitate to call myself a filmmaker. That said, I’ve been thinking lately that outside of the “burden of branding,” it doesn’t really matter what I call myself; my work will name me at the end of the day, and I’m interested to hear what that name will be after a few years of making work. So I guess if I am indeed named […]
by Filmmaker Staff on Jan 21, 2012Watching Terence Nance’s Oversimplification Of Her Beauty is like being talked through the contents of a shoebox, each item another memento of The One That Got Away. Live action, animation, claymation reenactments, direct-to-camera address by him, on-camera interviews of her by him, blurry, amateur footage shot by her of him, all guided by a formally written voice over, delivered with somber, staccato clarity by an anonymous older man. Descriptions and depictions of other girls slide in and out of the narrative, intercut with shots of The One, whose name is Namik. One animation of a long-distance affair depicts a hand-drawn […]
by Alicia Van Couvering on Jan 19, 2012