I’ve come to the reluctant conclusion that there’s no way for me personally to really break down Miguel Gomes’ Arabian Nights trilogy without going through it segment by segment — “reluctant” because this could be too long, for both me and you, the reader, but it must be done. Gomes’ previous two features Our Beloved Month of August and Tabu are vital, terrific, and whatever other approbatory adjectives you want to throw at them; he is, no doubt, a major director, and will be so again. Arabian Nights is not a major movie, but rather a messy sketchbook stuffing disparate short- and medium-length films into an unwieldily […]
by Vadim Rizov on Dec 3, 2015Cinema Eye, which presents the Cinema Eye Honors for Nonfiction Filmmaking as part of the annual Cinema Eye Week, today announced the five nominees for its annual Heterodox Award. The Heterodox Award honors a narrative fiction film that imaginatively incorporates nonfiction strategies, content and/or modes of production. The five films nominated this year for the Cinema Eye Heterodox Award are: Arabian Nights: Volume 1 —The Restless One directed by Miguel Gomes God Bless the Child directed by Robert Machoian and Rodrigo Ojeda-Beck Tangerine directed by Sean Baker Taxi directed by Jafar Panahi The Tribe directed by Myroslav Slaboshpytskiy With the announcement of […]
by Filmmaker Staff on Nov 18, 2015Yesterday, the SVOD service MUBI announced its foray into theatrical distribution with the acquisition of Miguel Gomes’ much lauded Cannes triptych Arabian Nights. The move, in line with the recent trajectories of larger services such as Netflix and Amazon, points toward the ever expanding influence of online platforms. Filmmaker spoke to MUBI CEO Efe Cakarel about partnering with New Wave Films to distribute what some might term a challenging title, given its six hour runtime. Filmmaker: There seems to be yet another paradigm shift happening in independent distribution, with online services, formerly an alternative to theatrical exhibition, now entering that very arena. Why did you […]
by Sarah Salovaara on Jul 22, 2015Miguel Gomes — the wildly talented director of Tabu and Our Beloved Month of August — will be premiering his new film at Cannes. Technically, Arabian Nights might be considered three separate films, since it’s six hours long and in three volumes. As The New York Times‘ Rachel Donadio explained in a fine profile last year, the film examines the Portuguese recession and its fallout on citizens through a dozen stories. The trailer is lively.
by Vadim Rizov on May 12, 2015