When I left Kino Lorber’s office on Friday, March 13th, I was expecting to return on Monday. I was wrapping up the DVD and Blu-ray of Jia Zhangke’s I Wish I Knew (2010), getting final proofs of Adam Nayman’s booklet essay and waiting for the test molds (the final check disc the replicator sends for approval before the title goes into manufacturing) to come in. But then the lockdown hit, and the scramble to improvise and adapt to the situation. One of my colleagues lives nearby our office, so he shipped the I Wish I Knew test molds to our […]
by R. Emmet Sweeney on Feb 10, 2021When Toby Leonard, programming director at Nashville’s Belcourt Theatre, returned to the space for the first time since the COVID-19 shutdown began, a six-foot cardboard display for Never Rarely Sometimes Always struck his eye. Eliza Hittman’s film was four days into the first week of a planned platform release before it was pulled from theatrical exhibition and hadn’t yet made it to the Belcourt, but its physical teaser remained. “How many of these things were there and how many did they send around the country?,” Leonard wondered. Then he took it down. As exhibitors and distributors initially adjusted to no theatrical releases for […]
by Vadim Rizov on May 18, 2020Bacurau is the name of an angry night bird that exists in many different parts of Brazil, but that is only called bacurau in the Brazilian Northeast. Bacurau, the latest film by Kleber Mendonça Filho and Juliano Dornelles—which gets a US release this weekend—uses the motif of the night bird to tell the story of a small village in the Brazilian Northeast that is facing imminent erasure, targeted by international hunting tourists that have teamed up with domestic predators. The film reprocesses motifs from Hollywood genre movies and Italian westerns in the landscape of the sertão, the drylands of formal […]
by Fábio Andrade on Mar 5, 2020A number of cinematic styles, narrative modes, and political agendas collide in Bacurau, one of two South American films on NYFF’s Main Slate this year. Urgent, yet vague enough to feel timeless, the film depicts a form of unhinged white supremacy in the outback of northern Brazil. We’re told up top, quite ominously, that Bacurau takes place “a few years from now,” as if to suggest that the wholly irrational racism herein is just around the corner. An angry movie, at once frightening and funny, it’s bound to rattle viewers aesthetically, politically, or both. Bacurau, a fictional town, is already […]
by Soheil Rezayazdi on Oct 9, 2019