While the use of larger format sensors like the Alexa LF and the Sony Venice has continued to accelerate—increasingly eclipsing Super35 as the default for robustly budgeted digital cinematography—the sprawling canvas offered by the Alexa 65 has remained more of a specialty, employed by projects seeking a scope of particularly monumental proportions. That’s exactly how cinematographer Mandy Walker envisioned Baz Luhrmann’s Elvis. “I remember Baz and I talking about the film really early on and thinking, ‘This character is larger than life,’” said Walker, who also used the Alexa 65 on Mulan and The Mountain Between Us. “Elvis was epic, […]
by Matt Mulcahey on Jul 1, 2022Actor, writer, and director Joel Edgerton (pictured) has a lot on his plate. He stars in Gavin O’Connor’s Warrior, which opens today, and in Baz Lurhmann’s The Great Gatsby, which is currently in production in Australia. Edgerton is also managing to develop a new film that he has written and is set to direct. He sat down with me to talk about Blue Tongue Films, the production company that he formed with his brother, Nash Edgerton, and four other mates, and how they all manage to keep the process fun. Filmmaker: How did you and your brother get started in […]
by Alix Lambert on Sep 9, 2011