Alternative distribution models are no longer the experiment, but are now the norm for the vast majority of filmmakers. However because of a variety of reasons, including not least contract obligations and a fear that exposing numbers may not show the filmmaker in the best light, many filmmakers have been reticent to give out the real numbers from their film’s releases. As a result, for last October’s Getting Real Documentary Conference, held by the International Documentary Association, I wanted to create a panel where the participants were required to reveal the data about the releases of their films. I wanted […]
by Jon Reiss on May 5, 2015Hailed as revolutionary back in 2007, “the Radiohead model” — pay-what-you-wish downloadable media pricing — never flourished in the years following. Even Radiohead abandoned it. Yet, as Bond/360 is setting out to prove, it may still have its place when it comes to independent film. Tonight at midnight they’re launching a four-film “Creativity Bundle” download through VHX. Pay what you want to own — not rent — four movies. And, just as Radiohead’s In Rainbows was one of their best, these titles (or at least the two I’ve seen) are excellent: Indie Game, Helvetica, Sign Painters and Beauty is Embarrassing. […]
by Scott Macaulay on Jul 13, 2014Wayne White is a fascinating figure whose work has permeated popular culture in multiple meaningful ways, without his name ever becoming well-known. Starting out as an underground comic book artist, White progressed to being a designer, puppeteer and performer on Pee-wee’s Playhouse, then to directing music videos for such acts as Peter Gabriel and the Smashing Pumpkins, while he’s also a talented an prolific painter, sculptor and musician. Graphic designer and commercial director Neil Berkeley, who first met White in the early 2000s, determined to make a film about this underappreciated figure and has created Beauty is Embarrassing, a unique and […]
by Nick Dawson on Sep 6, 2012