In a career-spanning interview with Polly Platt for the DGA oral history series, director Henry Hathaway dismissed his 1956 thriller 23 Paces to Baker Street as a throwaway, one of those studio assignments he took without much relish. It’s yet another example of why filmmakers cannot be trusted when it comes to their own films, for while the material is slightly shopworn (and owes an enormous and obvious debt to Hitchcock’s Rear Window), Hathaway frames it with meticulous care and artistry. The movie follows Van Johnson as a blind playwright who thinks he overhears a crime being plotted; after the […]
by Jim Hemphill on Feb 24, 2017JULIE DELPY AND ADAM GOLDBERG IN 2 DAYS IN PARIS. COURTESY SAMUEL GOLDWYN FILMS. It is difficult to write about Julie Delpy’s career without rhapsodizing about the multi-talented Frenchwoman. At just 14, she got her breakthrough in Jean-Luc Godard’s Detective, and while still in her teens she worked with such celebrated European auteurs as Leos Carax, Bertrand Tavernier, Carlos Saura, Agnieszka Holland and Volker Schlöndorff. In the early 1990s, Delpy established herself as one of the most promising actresses around with her work in both arthouse successes (Krysztof Kie?lowski’s White and Richard Linklater’s Before Sunrise) and more commercial fare like […]
by Nick Dawson on Aug 10, 2007