“Do you have a film in the festival?” The first thing people say to you when they meet you at a festival is usually this question. And for many of us, the answer is a negative. We’ve emptied our bank accounts, called out of our day jobs, skipped out on weekends upstate or by the beach to work on beckoning projects. And when we get rejected by a film festival, it can feel like those sacrifices and hard work were for naught. For new filmmakers like us, festivals, along with a good online distribution plan, are a coveted way to […]
by Meredith Alloway on Feb 13, 2017In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Something that started becoming more and more apparent to me as I finished the movie was the […]
by Soheil Rezayazdi on Jan 27, 2016Last week, Scott posted Dustin Guy Defa’s Person to Person, one of the first short films to be featured on The New Yorker‘s new shorts catalogue. Another 25 New Face, Bernardo Britto, has now joined the site with his Sundance Jury Prize-winning Yearbook. The animated film imagines a man who has been tasked with cataloguing the world’s history before an alien-sent missile destroys earth. It’s poignant, funny and quietly heartbreaking in equal measure.
by Sarah Salovaara on Dec 22, 2014Filmmaker‘s annual 25 New Face screening night at the IFC Center takes place next Monday, September 22 at 8:00 PM in New York City. We’ve got an especially strong line-up this year, including never-before-seen short films, and four filmmakers will join me after for a panel discussion on the art, economics and distribution of short film filmmaking. Here’s the program: Charlotte Glynn’s Immaculate Reception. “Rarely have the complexities and disappointments of young masculine sexuality been so deftly portrayed,” wrote Brandon Harris in his 25 New Face write-up of Glynn and her Rust Belt-set, coming-of-age tale that turns on Franco Harris’s […]
by Scott Macaulay on Sep 19, 2014