Flynn McGarry began hosting his own supper club when he was 11 years old. Now 19, the teen chef has fascinated readers of the New York Times Magazine, Time and food blogs the world over. McGarry is the subject of Chef Flynn, the second feature doc from director Cameron Yates (The Canal Street Madam). Yates hired Hannah Buck to edit Chef Flynn alongside consulting editors Amy Foote and Shannon Kennedy. Below, Buck discusses how she sought to move the film away from talking heads and voiceover narration and toward “a more vérité approach.” Filmmaker: How and why did you wind up […]
by Filmmaker Staff on Jan 23, 2018As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? Crafting a documentary that’s been filmed for over a decade by many different people with countless cameras was an endeavor of structuring chaos, and credit goes to our dauntless editor Hannah Buck. After staring glassy-eyed at our screens for hours one particularly distressing day in the fall of 2016, we canceled work for the rest of […]
by Filmmaker Staff on Jan 22, 2018Last night’s Stranger Than Fiction, the weekly documentary series at the IFC Center, “completed a circle” for programmer Thom Powers. It was while Powers was judging applications for the Garrett Scott Documentary Development Grant, a grant given by the Full Frame Festival in honor of the talented filmmaker who passed away at the age of thirty-seven, that he first learned about Cameron Yates’ film, The Canal Street Madam. As part of their grant proposal, Cameron Yates and producer Mridu Chandra had submitted a ten-minute reel of highlights from their work-in-progress. The footage impressed Powers, and he selected them as one […]
by Mary Anderson Casavant on Oct 20, 2010What’s it like to get out of jail and try to rebuild your life when that life was running a hugely successful brothel in the middle of New Orleans and the Lifetime movie of your experience is about to air? Cameron Yates’ new documentary, The Canal Street Madam, asks that question of Jeanette Maier and generates even more questions than answers. Was Maier a dangerous criminal, transporting women across state lines for the purposes of her own profit and their vicitimization as sex workers, or was she herself the victim of a hypocritical system that convicted and exposed her but […]
by Alicia Van Couvering on Mar 15, 2010