With both our “25 New Faces” feature and the IFP’s Narrative Lab coming up, I’ve been kind of backlogged here on the blog. But, I just posted a couple of things: first, Livia Bloom’s recap of Cannes in our Festival Coverage section, and then my interview with Shit Year director Cam Archer, conducted in Cannes after the premiere of his film in the Director’s Fortnight section. And, in a separate post, Bloom wonders why there were not any female directors in Competition in Cannes this year. You can check them out at the links.
by Scott Macaulay on Jun 2, 2010It is both accurate and reductive to call Cam Archer’s Shit Year, which premiered at this year’s Cannes Film Festival in the Director’s Fortnight section, the story of a retiring actress grappling with the emotions produced by her move away from the Hollywood spotlight. Of course, on narrative terms, that is what it’s about. Ellen Barkin plays the actress, who has just given her final talk-show interview, moved to a cabin in the woods, and now spends her days avoiding her neighbors and flashing back to a brief affair she had with a younger actor (Luke Grimes) on the set […]
by Scott Macaulay on Jun 2, 2010“You know the kind of movie where people laugh and cry?” asked a filmmaker character in Kornél Mundruczó’s Tender Son: The Frankenstein Project (seeking American distribution). “I want you to cry.” “I am crying,” responded the would-be actor before him, his face frozen solid. The internalization of emotion, and the tiny, subtle ways it can creep into the features and postures of even the most stoic characters was explored in some of the best work at this year’s Cannes Film Festival. At first glance, the protagonist of A Screaming Man (pictured above) (Un homme qui crie, seeking distribution), by […]
by Livia Bloom Ingram on Jun 2, 2010The 63rd edition of the Cannes Film Festival wrapped up this evening in France with Apichatpong Weerasethakul‘s Uncle Boonmee Who Can Recall His Past Lives (pictured) taking the coveted Palme d’Or. Other winners include Xavier Beauvois‘s Of God and Men receiving the Grand Prix, Mathieu Amalric winning Best Director for Tournee, Juliette Binoche was awarded Best Actress for Certified Copy and in a tie Javier Bardem (Biutiful) and Elio Germano (La Nostra Vita) won Best Actor. See full list of winners below. Palme d’Or: Uncle Boonmee Who Can Recall His Past Lives directed by Apichatpong Weerasethakul Grand Prix (runner-up): Des […]
by Jason Guerrasio on May 23, 2010South Korean filmmaker Hong Sangsoo‘s Ha Ha Ha received top honors for Cannes’ Un Certain Regard section last night. The jury also gave a special award to the three actresses from Ivan Fund and Santiago Losa’s Los Labios (The Lips), Adela Sanchez, Eva Bianco, and Victoria Raposo. The main Cannes jury awards will be announced later today.
by Jason Guerrasio on May 23, 2010One of the discoveries of the 2010 Cannes Film Festival was a film that actually premiered at SXSW: David Robert Mitchell’s Myth of the American Sleepover. Receiving its international premiere in the Critics Week section, Myth of the American Sleepover is a dreamy, romantic, and wistful take on the amorous longings of our teenage years. It’s set during one night in which Mitchell’s various teen characters crisscross their Michigan town between several sleepovers, all-night slumber parties, and general hang outs. Without stooping to farfetched plot elements or melodramatic contrivances, the film compels our viewing by nailing just the right tone […]
by Scott Macaulay on May 22, 2010Earlier today Cannes unveiled the 24 films selected for its annual sidebar, Directors’ Fortnight. Opening this year with Renaud Barret & Florent de la Tullaye’s documentary Benda Bilili!, the line-up is dominated by first-time filmmakers, 11 in all. One American standout is Cam Archer (Wild Tigers I Have Known) who will be screening his latest, Shit Year, starring Ellen Barkin. Fortnight will take place May 13-23. Full list of titles below. FEATURE FILMS Alegria (Joy), directed by Marina Méliande et Felipe Braganca (Brazil) All Good Children, directed by Alicia Duffy (UK) Alting bliver godt igen (Everything Will Be Fine), directed […]
by Jason Guerrasio on Apr 20, 2010The South of France will be filled with familiar faces for this year’s Cannes Film Festival as the line-up was announced overnight in Paris. As previously announced Ridley Scott‘s Robin Hood will open the festival. Notable names attending will include Woody Allen, Oliver Stone, Alejandro González Iñárritu, Jean Luc-Godard and Gregg Araki (full list of titles below). The one glaring omission is Terrence Malick‘s Tree of Life, though festival chief Thierry Fremaux says there more titles are expected to be announced as the festival approaches. The fest will take place May 12-23. IN COMPETITION: Tournee directed by Mathieu Almaric Des […]
by Jason Guerrasio on Apr 15, 2010You could say that Bill Gunn was a man who came before his time, but that leaves you working under the flimsy assumption that a time more hospitable to this man of undeniable talents and mercurial preoccupations would some day come. If you don’t already know this is a weak proposition, you’re not paying attention to the tenor of the times we live in. One can be forgiven for being unable to relate to the struggles of an unorthodox black artist to find proper patrons and an appreciative audience I suppose. Still, it is better to say that Bill Gunn, […]
by Brandon Harris on Mar 31, 2010EZRA MILLER IN WRITER-DIRECTOR ANTONIO CAMPOS’ AFTERSCHOOL. COURTESY IFC FILMS. To call Antonio Campos a precocious talent would be to understate his abilities. Amazingly, the 26-year-old writer director, a native of New York City, has already spent half of his young life making films. Campos directed his debut short, Puberty (1997), at the age of 13 as part of a New York Film Academy program, and over the course of his teens made numerous shorts – both fiction and documentary – including First Kiss (2001), Pandora (2002) and Who’s Your Daddy? (2004). At 21, he had his short film […]
by Nick Dawson on Oct 2, 2009