In his feature debut, Captains of Zaatari, Ali El Arabi turns his eye on the teenagers living in the world’s largest Syrian refugee camp. Unafraid to dream despite their bleak surroundings, Fawzi and Mahmoud hope to escape Zaatari and enter the world of professional soccer. DP Mahmoud Bashir discusses becoming friends with the boys at the center of the film and the importance of natural lighting. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Bashir: I did shoot more than […]
by Filmmaker Staff on Feb 2, 2021