Alex Kopit served as an assistant editor on past Sundance premieres Be Kind Rewind (2008) and The Messenger (2009). He returns to the festival in 2018 as the editor of Dead Pigs, the debut feature from writer/director Cathy Yan. The film is a mosaic of stories in modern-day Shanghai connected by a mysterious occurrence: a stream of floating pig carcasses. Below, Kopit discusses editing the film so that “the various stories could interweave and support each other.” Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
by Filmmaker Staff on Jan 26, 2018Dead Pigs marks the feature film debut from writer/director Cathy Yan. Born in China with an MFA from NYU’s Tisch, Yan directed three shorts (According to My Mother, Down River, Last Night) prior to her first feature. She hired Federico Cesca, a fellow Tisch alum and the DP on last year’s Patti Cake$, to shoot Dead Pigs in Shanghai. Cesca spoke with Filmmaker ahead of Dead Pigs‘ premiere at Sundance about the challenges and rewards of shooting this project. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to […]
by Soheil Rezayazdi on Jan 25, 2018