Under the Skin filmmaker Jonathan Glazer and design hero Neville Brody, alongside creative agencies 4Creative and DBLG have “rebranded” iconic U.K. broadcaster Channel 4 with jagged new fonts and a deliriously weird, vaguely Kubrick-ian series of station IDs. Glazer’s four narratively-linked shorts fit more comfortably into his recent film work than they do any kind of television advertising, with their mysterious creatures, magenta rock formations and high-tech science laboratories. As for the fonts, well, back in the day, we at Filmmaker used to spend late nights with our late, great designer Wayne Van Acker geeking out over Brody’s work for […]
by Scott Macaulay on Oct 3, 2015“Let’s start before we kill the term,” joked Jakob Hogel during the opening moments of “The Future of Hybrid Films,” a panel that took place last week at Copenhagen’s CPH:DOX. Preempting musty debate about the so-called hybrid genre, where various forms — usually documentary and fiction — are combined in single works, Hogel said, “We should be beyond the point of whether hybrid films exist, are dubious or morally wrong. They exist and who cares?” Hogel’s dismissal of hybrid handwringing doesn’t mean that the issues posed by such films aren’t being debated in the film industry. It’s just these debates […]
by Scott Macaulay on Nov 15, 2012