Some actors go through a transformation to the point where the word “performance” feels inadequate. “Embodiment” is more apt. Nicole Beharie transforms into Turquoise Jones in Channing Godfrey People’s film Miss Juneteenth. It’s a wonder to behold. On this episode, she talks about the immersive preparation work that went into her Gotham Award-winning performance, how the opportunity to take her time and “own the space” affected her work in a deep way, and the substitutions necessary to create the motherly bond so central to the film. Plus we discuss the benefits and drawbacks of unanswered questions in a performance, and […]
by Scott Macaulay on Jan 19, 2021Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? Turquoise’s old pageant crown is integral to the film. It represents her past as a former “Miss Juneteenth,” but also her hope for the future in passing it onto to her daughter, Kai. It also serves as a reminder of her dreams deferred, while simultaneously being the symbol of hope for […]
by Filmmaker Staff on Jan 30, 2020Moderated by Amy Emmerich, President & Chief Content Officer at Refinery29, the SCAD Savannah Film Festival’s “Refinery29 + Level Forward Present Shatterbox,” a program of seven quite diverse shorts followed by a post-screening discussion, was presented at the comfy SCAD Museum of Art theater on an industry-heavy Monday afternoon. The event featured Parisa Barani (Human Terrain), Tiffany J. Johnson and Adrienne Childress (Girl Callin), Kantú Lentz (Jack and Jo Don’t Want to Die), Channing Godfrey Peoples (Doretha’s Blues), and Lizzie Nastro (the Chloë Sevigny-directed White Echo) onstage to discuss their work – as well as working with Refinery29 and Level Forward’s […]
by Lauren Wissot on Nov 8, 2019