Chris Teague
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“Playing in the Best Sandbox Ever”: DP Chris Teague on The Acolyte
Set a century before The Phantom Menace, The Acolyte follows a Jedi master (Squid Games star Lee Jung-jae) and his former apprentice (Amandla Stenberg) as they hunt for a killer who’s dispatching Jedi. The new series holds a distinction that no other live action Star Wars saga can claim—not the half dozen Disney Plus shows or the eleven feature films, not the Star Wars Holiday Special, not even that Ewok movie with Wilfred Brimley. The Acolyte is the first live action story set in the heretofore unseen High Republic era that served as the zenith of Jedi influence and power. […]
by Matt Mulcahey on Jul 31, 2024 -
“We Tested a Million LED Flashlights”: DP Chris Teague on Only Murders in the Building
After joining forces to solve a killing (and create a true crime podcast) in the first season of Only Murders in the Building, the trio of Steve Martin, Selena Gomez and Martin Short find themselves the suspects in another slaying in the latest batch of episodes of the Hulu series. Set in New York in the fictitious swanky apartment building the Arconia, the show’s entire inaugural season was lensed by longtime Big Apple resident Chris Teague (Obvious Child, GLOW, Russian Doll). For the new season, Teague’s role expanded to the director’s chair for two episodes. With the season finale premiering […]
by Matt Mulcahey on Aug 19, 2022 -
“I’d Spend 24 Hours with My Family, Fly Back, Sleep for Five Hours and Shoot the Next Day”: Cinematographer Chris Teague on Russian Doll
On the night of her 36th birthday, New York video game developer Nadia (played by the show’s co-creator Natasha Lyonne) stumbles out of a party in her honor and is killed by an oncoming car. Thus begins a cycle of “resets” in the new Netflix series Russian Doll, with each demise bringing Nadia right back to the same birthday party bathroom mirror on the same night. The Groundhog Day comparisons are unavoidable, yet as Russian Doll unfolds across its eight episodes it reveals layers of emotional complexity and existential angst that extend beyond that Bill Murray classic and its Christmas Carol-esque […]
by Matt Mulcahey on Mar 21, 2019 -
DP Chris Teague on Shooting Landline, Gillian Robespierre’s Follow-Up to Obvious Child
Three years ago, writer/director Gillian Robespierre premiered Obvious Child at Sundance to much acclaim. The film would go on to earn more than $3 million at the domestic box office, making it one of the bigger titles to emerge from Sundance 2014. Robespierre returns to the festival in 2017 with Landline, which reunites her with lead actor Jenny Slate and DP Chris Teague. Set in 1990s New York, Landline is a seriocomic portrait of a family in flux. Below, Teague discusses shooting in NYC apartments, the influence of ’70s American cinema on Landline and recreating the Village Halloween Parade on a small budget. Filmmaker: How and […]
by Filmmaker Staff on Jan 20, 2017 -
Appropriate Behavior and Obvious Child D.P. Chris Teague
In every young filmmaking scene, there are always one or two up-and-coming DPs you want to shoot your movie. These are the guys, or women, who have shot award-winning student films, who have loyal crews, and who know how to bring extra style, assurance and compositional smarts to first-time features. In the New York independent film community, Chris Teague has been one of those folks, and this year his talents are receiving greater recognition at Sundance, where two of his narrative feature films are debuting. In the Premiere section is the debut of Gillian Robespierre’s Obvious Child, a sly comedy […]
by Scott Macaulay on Jan 18, 2014
