In Palm Trees and Power Lines, the feature debut of Jamie Dack, aprecocious but aimless 17-year-old named Lea finds herself drawn to Tom, a man twice her age who initially appears to give her the much-needed attention she does not have at home. As their relationship continues, however, Tom begins to assert his power in the relationship. Editor Christopher Radcliff explains the importance of keeping the film tied to Lea’s perspective and of editing the film to emphasize the patience evident in the script. Filmmaker: How and why did you wind up being the editor of your film? What were the […]
by Filmmaker Staff on Jan 24, 2022Expanded from their 2011 short, Lauren Wolkstein and Christopher Radcliff’s The Strange Ones starts with a house fire. A young boy (James Freedson-Jackson) stands paralyzed in front of it, and next we see him on the road with someone (claiming to be?) his older brother (Alex Pettyfer). Over the course of a long, strange road trip, we slowly put together some (but definitely not all) the pieces of a story of sexual assault and two people on the run from the law. Motels, diners and farms are among the upstate New York locations. The impressively assured, enticingly semi-enigmatic film had its premiere Saturday morning […]
by Vadim Rizov on Mar 14, 2017