“One of my friends was killed over there,” says Christopher Waldorf, reflecting back to a scene from KIKI, the 66th Berlinale’s Teddy Award-winning documentary. In an early scene from the film, Waldorf is captured voguing down a dangerous street in Harlem. “The Trade are straight hood guys,” says Waldorf, explaining the threat of violence and harassment that the Trade inflicts on Voguers like himself. “The only reason we were able to joke around when we were filming there,” chimes in another featured subject in the film, Gia Marie Love, “is because we were with white people.” First-time documentary filmmaker Sara […]