At this point, it’s a running joke that any indie film worth its salt will have an extended scene featuring a woman pissing. Not just a woman sitting on the toilet, underwear around her ankles—the trickle of her stream must be fully perceptible to the viewer’s ear, subversive in its unvarnished or gritty exploration of the female experience (even with my sparser-than-usual Sundance viewing schedule this year, I’ve still clocked one extended instance of this). If a filmmaker is really being edgy, a blood-soaked tampon may appear on screen, or perhaps sparse droplets of menses slowly descending down a thigh. […]
by Natalia Keogan on Jan 28, 2023Lyle Vincent served as DP on two films at the 2017 Sundance Film Festival: the Midnight selection Bushwick and the NEXT entry Thoroughbred. From first time director Cory Finley, Thoroughbred is a neo-noir character drama that features one of the final performances of the late Anton Yelchin. Vincent discussed his process and approach to cinematography with Filmmaker ahead of the film’s world premiere at Sundance. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Vincent: The film’s writer/director Cory Finley […]
by Filmmaker Staff on Jan 27, 2017During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? I spent a lot of time thinking, at every stage of making the film, about how it works as social critique. That’s not the story’s primary mode: it’s a psychological thriller, and it’s a study of two characters and their evolving relationship. But a playwriting professor once told me that every work of art is political, whether its creator wants it to be or not. I’m aiming […]
by Filmmaker Staff on Jan 21, 2017