If last night’s Gothams marked the first stop in the ensuing months-long award season, today’s New York Film Critics Circle Awards kicked off the circuit’s highbrow counterpart. At best, the two distinct forms of awards bodies function like a venn diagram, with critics bolstering fringe contenders for the televised shows, while marching to the beat of their own drum in equal measure. The NYFCC, however, has often tended to the inoffensive, lauding popular names and titles that will be all too familiar come March. This go around, they chose to throw their weight behind David O. Russell’s latest Hollywood fare, American […]
by Sarah Salovaara on Dec 3, 2013Yesterday I attended the “How the Critics Saved My Film” Film Week panel, featuring the pre-eminent critic for the New York Times A.O. Scott (I discovered with pleasure yesterday that his friends call him “Tony”), critics David D’Arcy and Miriam Bale, and filmmaker Alex Ross-Perry. One subject that wasn’t addressed in the panel, but that is pertinent to all of this, is the quality of writing in film criticism. Since I am a filmmaker (whose films will need to be saved), the way a review is written feels important to me, and it’s not just because I like good writing. […]
by Naftali Beane Rutter on Sep 19, 2012