There was much reason for celebration at the 2017 Full Frame Documentary Film Festival (April 6-9) down in Durham, North Carolina. The state had just (kinda sorta) repealed the ridiculous bathroom bill — which had had me scrambling to cover all the queer films I could find at the 2016 fest — and this year’s 20th anniversary inspired artistic director Sadie Tillery to create “DoubleTake,” a wide-ranging retro program featuring 19 films, one from each year of the festival’s history. This diverse selection included everything from Jem Cohen and Peter Sillen’s 2001 Benjamin Smoke, to Linda Goode Bryant and Laura […]
by Lauren Wissot on Apr 25, 2017Filmmaker: Why this movie? Why did you decide to do it? Hill: This is probably not a film I would have initiated on my own. It’s a subject matter that touches me personally, but one I’ve left behind. But six years ago, Kit Gruelle, an advocate for battered women, asked me to work on a project about the history of the battered women’s movement. It was intended to honor the women – and male allies – who have dedicated their lives to ending violence against women. So I started following Kit to work in shelters, court rooms, training sessions, wherever she would […]
by Danielle Lurie on Jan 19, 2014Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? As a filmmaker, […]
by Filmmaker Staff on Jan 18, 2014