I haven’t done one of these in a while — a roundup of a few things I’ve stored in my Instapaper for weekend readings. As the year goes on, Melancholia is emerging as my favorite film of 2011. Part of the reason, I think, is that the discourse about it is becoming more and more interesting. Whereas Von Trier’s Cannes comments dominated the dialogue following its opening, now not just critics but viewers are grappling with the film’s meanings. From the Occupied Territories Tumblr comes “Depression, Melancholia, and Me: Lars Von Trier’s Politics of Displeasure,” an extraordinary essay in which […]
by Scott Macaulay on Dec 4, 2011It was only a matter of time before this trippy sci-fi film featuring a disarmingly strange but impossibly stylish early-1970s David Bowie as an alien navigating Earth would make the rounds once again. Nicolas Roeg’s The Man Who Fell to Earth, a cult classic whose Criterion Collection DVD has been out of print for years, has just finished a near-entirely sold-out run at New York City’s Film Forum on a beautiful new 35mm print and will be touring the rest of the country in the coming months. While the film seems dated at times, downright incoherent at others, its reflection […]
by Farihah Zaman on Jul 8, 2011PHILIP GLASS IN DIRECTOR SCOTT HICKS’ GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS. COURTESY KOCH LORBER FILMS. Best known for his fiction films, Scott Hicks has returned to another form in which he has also distinguished himself: documentary. Usually identified as an Australian, Hicks was in fact born in Uganda and lived in Kenya until the age of 10, before his family moved to England and then Australia. He studied English, Drama and Cinema at Flinders University of South Australia, and made his directorial debut the year of graduation with the ultra-low-budget drama Down the Wind (1975). After working […]
by Nick Dawson on Apr 18, 2008