Democrats
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“Decolonization Has to Work in Both Directions; Both the Colonized and Colonizer Have to be Decolonized”: Camilla Nielsson on President
Currently competing for both the Dox:Award and the Politiken Danish:Dox Award at this year’s hybrid CPH:DOX (April 21-May 5), Camilla Nielsson’s President is a riveting followup to 2014’s Democrats, which centered on two political rivals in a Sisyphean quest to transform Zimbabwe from a corrupt dictatorship into a fledgling democracy. It’s also a film Nielsson never intended to make. But that was before a ban, a military coup, and the rise of two new political rivals led the undaunted director to pick up her camera once again. With President Nielsson focuses on the young and charismatic leader of the MDC (Movement for Democratic Change) Nelson […]
by Lauren Wissot on Apr 21, 2021 -
The 2015 Tribeca Film Festival Awards
Below are the winners of this year’s Tribeca Film Festival. Note that the narrative awards were split evenly between Virgin Mountain and Bridgend, with three apiece. WORLD NARRATIVE COMPETITION CATEGORIES: The jurors for the 2015 World Narrative Competition sponsored by AKA, were Paul Attanasio, Sophie Barthes, Whoopi Goldberg, Dylan McDermott, and Burr Steers. ● The Founders Award for Best Narrative Feature – Virgin Mountain, written and directed by Dagur Kári [Iceland, Denmark]. Winner receives $25,000, sponsored by AT&T, and the art award “Ash Eroded Film Reel” by Daniel Arsham. The award was given by Robert De Niro and Jane Rosenthal […]
by Filmmaker Staff on Apr 23, 2015 -
Dispatches from CPH:DOX and Borscht 9
International Copenhagen Documentary Film Festival – CPH:DOX 2014 by Pamela Cohn There is no way by which the events of the world can be directly transmitted or recorded in our brains. They are experienced and constructed in a highly subjective way. Our only truth is narrative truth, the stories we tell each other, and ourselves, the stories we continually re-categorize and refine. This sort of sharing — this communion — would not be possible if all our knowledge, our memories, were tagged and identified and seen as private, exclusively ours. —from Martin Scorsese and David Tedeschi’s film The 50 Year […]
by Filmmaker Staff on Jan 21, 2015
