In 2011, Lauren Wissot wrote about underground cinema curator Jeffrey Babcock, who programs films in theaters throughout Amsterdam. She forwarded me the below email, from his Jeffrey’s underground cinemas newsletter, and I think it captures beautifully the emotional tenor of the present moment as it pertains to film exhibition. With Babcock’s permission, we’re reprinting it here. — Editor Greetings everyone, I hope you are doing well, of course. This is one of the saddest announcements since I started the cinemas, because all the screenings have been cancelled by government orders. I hear people panicking, and others are suggesting good things […]
by Jeffrey Babcock on Mar 17, 20201. Elevision Currently in beta, the short film download site Elevision (elevision.com) is the brainchild of former Wholphin creative director Malcolm Pullinger and Vimeo founder Jake Lodwick. It has a highly curated slate, with quirky titles like Quentin Dupieux’s Wrong Cops: Chapter One and The Arm, co-written and co-directed by Brie Larson. There’s also an embarrassment of riches from “25 New Faces” alums, including Palimpsest (Michael Tyburski and Ben Nabors), Rougarouing (Donal Mosher and Michael Palmieri), A Chjàna (Jonas Carpignano), Pioneer (David Lowery) and Life and Freaky Times of Uncle Luke (Jillian Mayer and Lucas Leyva). 2. Marmoset Portland’s indie […]
by Filmmaker Staff on Oct 21, 2013Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Fall, 1993. Peter Bowen interviewed Derek Jarman about his Wittgenstein for our Fall, 1993 cover. Holly Willis interviewed D.A. Pennebaker and Chris Hegedus about their doc on the Clinton Presidential campaign, The War Room. And there is still some useful advice in this article by Daniel Einfeld, a producer of the indie hit My LIfe’s in Turnaround, on bartering and production placement. (In the Filmmaker office, this article is kind of infamous for having what is perhaps our worst article […]
by Scott Macaulay on Aug 6, 2010Many years ago I remember feeling queasy at a Throbbing Gristle event at the old Danceteria. While music from the proto-industrial group played, a series of medical autopsy films screened in the background. Now, of course, this stuff is de rigeur on CSI, but that night, it was fairly unsettling. Now, the British band has reformed, reports Pitchfork Media, and this time the film hook is a live score to Derek Jarman’s 1980 film In the Shadow of the Sun the band will perform in Berlin on January 2. The following month Mute Records will release the band’s first record […]
by Scott Macaulay on Dec 7, 2005