digital intermediate
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Color Grading A Glimpse Inside the Mind of Charles Swan III, Part 1: Ryan Bozajian on the Art of the Pre-Grade
Like most motion pictures, Roman Coppola’s latest film, A Glimpse Inside the Mind of Charles Swan III was color graded in a DI theater at a post house. Unlike many films, this final grading only took two days; extensive “pre-grading” was done using Resolve Lite at American Zoetrope’s own facilities, while the final grade was performed at SPY using the full version of Resolve. With color grading taking place in two facilities and by two people, the facilities had to work together to calibrate equipment and create a consistent workflow. In part 1 of this series, VFX artist Ryan Bozajian […]
by Michael Murie on Mar 26, 2013 -
COLOR ENHANCEMENTS: A CLOSER LOOK AT DI
Originally published in our Fall 2010 issue, we look at why digital intermediate has become an essential tool for DPs. From the story: Aside from discussing the look of the film with the DI house early on for both aesthetic reasons and very practical ones like deciding what kind of camera to use, these meetings can also help a producer or director determine what their actual budget is going to be. A process house can walk everyone through all the different camera and workflow options and show them actual finished footage of what these options will look like. Thinking of […]
by Jason Guerrasio on Nov 8, 2011
