Over the past year, various reckonings—from continued collective and individual action around #metoo to protests against institutions accepting donations from the Sackler family, Warren B. Kanders and oil giants like BP—that media and arts institutions have gone through have brought the weaponization of cultural capital via art-world philanthropy onto the front pages of newspapers. Meanwhile, in the U.S. documentary film field, the way we’re talking about who holds power and how it’s dispensed has remained narrowly focused. Film festivals have jumped into this fray with public forums, panels and talks at which emboldened filmmakers and a new crop of festival […]
by Abby Sun on Dec 10, 2019#OscarsSoWhite is hardly a new phenomena in dramatic narrative circles and Hollywood, but determining where the doc community fits into the debate – is. Without empirical data, it would seem the doc community is doing a better job at building diverse and inclusive opportunities than Hollywood counterparts. But if that’s true, by how much? What measures are in place to ensure that the people in front and behind the camera better reflect the world in which we live and the stories we tell? How do public vs. private dollars impact this outcome? If, in the end, it is determined that […]
by Chico Colvard on Sep 7, 2016Since the publication of “The Data Says, ‘We Have a Problem’” in our Winter print edition, the conversation around diversity and the movie business has become louder and even more urgent. As more and more studies are published detailing Hollywood’s biased hiring practices and hashtags like #oscarssowhite explode across social media, now, during the lead-up to the Academy Awards, is an apt time to unlock from our paywall this article by Esther Robinson. It cogently articulates the reasons why all of us must care about these issues before it then goes on to offer actual and practical solutions that we […]
by Esther B. Robinson on Feb 15, 2016