Documentary
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Oren Rudavski, The Treatment
IAN HOLM AND CHRIS EIGEMAN IN OREN RUDAVSKY’S THE TREATMENT. COURTESY NEW YORKER FILMS. After studying at Oberlin College and NYU Film School, director and cinematographer Oren Rudavsky carved out a niche for himself in filmmaking: if you have seen a documentary about Judaism made in the last 20 years, most likely Rudavsky was involved in it. He has made numerous documentaries for television, many of them Jewish-themed, and has recently graduated to making documentary features, with notable success. The highly-praised A Life Apart (1997), an examination of the Hasidic lifestyle in America co-directed by Rudavsky with Menachem Daum (and […]
by Nick Dawson on May 4, 2007 -
TRIBECA WINNERS
Awards were handed out last night in Chinatown for the 6th annual Tribeca Film Festival. See list of winners below. The Founders Award for Best Narrative Feature – My Father My Lord (Hofshat Kaits), directed by David Volach (Israel). Best New Narrative Filmmaker – Two Embraces (Dos Abrazos), directed by Enrique Begne (Mexico). Best Actor in a Narrative Feature Film – Lofti Edbelli in Making Of (Akher film), directed by Nouri Bouzid (Tunisia, Morocco). Best Actress in a Narrative Feature Film – Marina Hands in LadyChatterley, directed by Pascale Ferran (France, Belgium). Best Screenplay – Making Of (Akher film), written […]
by Jason Guerrasio on May 4, 2007 -
JOE SALEH, 1934 – 2007
I received this email of an obituary that Jackie Raynal wrote for Joe Saleh, who died at 73 last week of complications from a stroke in Paris. Saleh produced many Merchant-Ivory movies and also founded the Angelika movie theater. Joseph J.M. Saleh who produced many of the Ivory-Merchant movies, created and founded the famous Angelika movie theater multiplex in New York, died in Paris last wek. Saleh financed the documentary STREETWISE which received the 1985 Academy Awards Nomination. He was also resposible for the developing the first network election night forecasting system in 1964. He was born January 18th,1934 in […]
by Scott Macaulay on Apr 26, 2007 -
San Francisco Fest at 50
In 1957, when the Berlin International Film Festival was in its sixth year and the Festival de Cannes had recently turned 12, there was still no established annual film festival in the U.S. “Back in the ’50s, San Francisco needed to keep its place in the arts world with an international film festival. There wasn’t one in North or South America,” San Francisco International Film Festival (SFIFF) founder Irving M. “Bud” Levin recalled in 1995. Following Levin’s lead, the San Francisco Film Society has presented the SFIFF since 1957 and becomes the first North American festival to celebrate its 50th […]
by Jason Guerrasio on Apr 23, 2007 -
CHOOSE… BUT CHOOSE WISELY
With the Tribeca Film Festival a few days away, Anthony Kaufman has a great piece over at indieWIRE about the rivalry between Tribeca, SXSW and LAFF. As the three fests are scheduled so close to one another, most of the times they are fighting for the same films (and leaving regional fests like Sarasota, Florida Film Festival and Independent Film Festival Boston with little to choose from). This causes headaches for filmmakers who due to premiere-crazed programming aren’t choosing a festival that’s best for their film but what fest will give them the most exposure. Here’s an excerpt: “’Call me […]
by Jason Guerrasio on Apr 23, 2007 -
A MESSAGE FROM BLACKSBURG
There’s been so much in the mainstream media in the last week about the horrible tragedy at Virginia Tech — much of it rather soul deadening in its own right — that I hate to direct you to one more story. But if you’ve been following the MSM coverage you’ve probably come across a quote from or reference to Paul Harrill, an independent filmmaker who teaches film at the school. Harrill was the one who discovered a similarity between the images in Park Chan-wook’s Old Boy and the homemade videos of the killer. On his blog, which I’ve linked to […]
by Scott Macaulay on Apr 23, 2007 -
Edgar Wright, Hot Fuzz
Brit Edgar Wright’s film career began when, straight out of college, he wrote and directed his ultra-low budget debut feature, A Fistful of Fingers (1994), an affectionate comedic homage to spaghetti westerns. The film played a few festivals, and was enough of a success to get Wright work directing sitcoms and sketch shows, where he worked with many of the best British comic performers around. His friendship with actors Simon Pegg and Jessica Stevenson resulted in the trio creating Spaced, a television series about the oddball residents of a house in London which achieved cult status. The show, which playfully […]
by Nick Dawson on Apr 20, 2007 -
YOU DON’T KNOW JACK
In the issue of Filmmaker we just sent to the printer today (which explains the slacking on the blog), Steve Gallagher interviews Mary Jordan, director of Jack Smith and the Destruction of Atlantis. The doc portrait of artist and filmmaker Jack Smith opens in New York tomorrow at the Film Forum, and I highly recommend it. Here’s an excerpt from Steve’s piece: Filmmaker: Were you surprised to discover that Jack Smith’s work is so political? Jordan: I’m a human rights person. I was a social activist myself before I got interested in Jack. So, for me, this documentary is a […]
by Scott Macaulay on Apr 10, 2007 -
BEFORE THE FALL
Over at Alternet, Joshua Holland interviews James Scurlock, director of Maxed Out, a documentary on debt and the debt industry in America. Completed in 2006 when it made the festival rounds and now available on Netflix, the pic is unfortunately all too timely given the current collapse of the sub-prime lending market. Here’s Scurlock from the interview: When I started the project a lot of people didn’t even know what bankruptcy reform was, but most do now. A few weeks ago, nobody knew what “subprime” meant and now because of this whole mortgage fiasco I think everyone knows what that […]
by Scott Macaulay on Mar 26, 2007 -
WE’RE NOT DRUG DEALERS
At his CinemaTech blog, Scott Kirsner reports on the speakers at yesterday’s Future of Film Conference in L.A. Along with various business types discussing new media platforms like Joost, the speakers included a director, Jason Kohn, who discussed his Sundance hit, Manda Bala: He wants to shoot movies on film, and have them seen in theaters. With his documentary, which focuses on corruption and kidnapping in Brazil, “I was reacting against the future of film. The future of film at the time was video, and I thought the future sucked. So I decided to change the future.” He said he […]
by Scott Macaulay on Mar 23, 2007
