Documentary

“AN IMPRESSIVE DEPTH OF FIELD”

Ann Hornaday has a long overdue mainstream media piece on the aesthetic virtues of short-form web video in The Washington Post. It’s a must read as she quite thoughtfully provides some words of wisdom — “Your limitions are your strength,” “You’ve made us laugh, you’ve made us link, now make us think” are two examples — for aspiring web filmmakers. And, among her examples, Jamie Stuart’s White Plastic Flower, his impressionistic reportage from this year’s Sundance Film Festival. Here’s what she had to say about his podcast: But a foreshortened, small-box format doesn’t have to limit cinematographic ambition. In White […]
by Scott Macaulay on Feb 4, 2007
SUNDANCE WRAPS

Following a Saturday evening awards ceremony, Sundance wrapped its 10-day run today with a series of award-winner screenings on Sunday. At the Saturday event, the drama Padre Nuestro, directed by Christopher Zalla, was announced winner of the Dramatic Grand Jury Prize. The Documentary Grand Jury Prize went to Jason Kohn‘s Brazil-set corruption saga Manda Bala (Send a Bullet). Audience prizewinners included James C. Straus‘s John Cusack-starrer Grace Is Gone for the Dramatic Audience Award and Documentary Audience Award recipient Hear and Now from Irene Taylor Brodsky. The complete list of awards is available on the festival website. After the awards […]
by Jason Guerrasio on Jan 29, 2007
David Kaplan, Year of the Fish

YEAR OF THE FISH. This article is part of Filmmaker’s Sundance 2007 Special Coverage. A veteran of Sundance with his short films — including the cryptic, menacing fairy tales, Little Red Riding Hood (starring Christina Ricci and Quentin Crisp!), Little Suck-A-Thumb, and The Frog King — which are regularly shown to film students as examples of exemplary short-form filmmaking, David Kaplan returns to the festival with his first feature, Year of the Fish. At once a singular New York immigrant story, as well as a re-imagining of the fairy tale (Kaplan’s real-world, adult conception of children’s stories can bring to […]
by Jason Guerrasio on Jan 24, 2007
PLANNED OBSOLESCENCE

Now that both public and the politicians are denouncing the war in Iraq, documentaries like Charles Ferguson’s No End in Sight, premiering in Sundance’s Documentary Competition, are simply essential. The inevitable withdrawal of U.S. troops is sure to prompt attacks by the real “bitter enders” –- administration officials and neo-cons who will pin the war’s failures on an American lack of resolve – and Ferguson’s sober and straightforward documentary is the necessary rebuttal. Recalling that old piece of screenplay advice, “There are no third act problems,” Ferguson takes us back to the run-up to the war and the months following […]
by Scott Macaulay on Jan 24, 2007
NUMBER ONE WITH A BULLET

There are many impressive documentaries at Sundance this year but my favorite so far is Jason Kohn’s Manda Bala (Send a Bullet) in the Documentary Competition. Examining the violence, political corruption and rampant kidnappings in Sao Paulo, Brazil, this doc — with a brisk running time of 85 minutes — never lets you catch your breath as it weaves through numerous stories that are sometimes humorous but often excruciating to watch. First-time filmmaker Kohn uses many traits of his mentor Errol Morris (piercing questions, amazing cinematography, powerful score) to tell his story. The film covers three equally compelling topics that […]
by Jason Guerrasio on Jan 22, 2007
Cherien Dabis, Make a Wish

MAKE A WISH. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Supported by numerous prestigious grants — including the Jerome Foundation’s New York City Media Arts Grant, the New York State Council on the Art’s Electronic Media and Film Distribution Grant, and National Geographic’s All Roads Film Project Seed Grant — Itmanna (Make a Wish), the most recent short film by writer/director, Cherien Dabis, will quickly follow its Sundance bow with screenings at Berlin and the Clermont-Ferrand Short Film Festival. A former media activist and public relations specialist in Washington D.C., Dabis is the daughter of Palestinian/Jordanian immigrants, […]
by Jason Guerrasio on Jan 20, 2007
Fellipe Barbosa, Salt Kiss

SALT KISS. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Salt Kiss, the second short film by writer/director Fellipe Barbosa to screen at Sundance (following last year’s La Muerte Es Pequena), has none of the tropes commonly associated—by Americans—with “Latin American” cinema. That means no knife-fights, gambling, gang violence, or overt poverty. Yet Salt Kiss is absolutely a Latin American film—Brazilian, to be exact—because its creator told a film straight from his heart, and yes, he happens to be from Brazil. In truth, Salt Kiss shares much more with two fine American independent films released in recent years—Sideways […]
by Jason Guerrasio on Jan 19, 2007
Ian Olds, Bomb

BOMB. This article is part of Filmmaker’s Sundance 2007 Special Coverage. It isn’t easy to glean a sense of Ian Olds’ identity from his films — they’re too diverse, too global. From Occupation: Dreamland (short-listed for an Academy Award), a breathtaking documentary that avoids simple political interpretation by opting to tell the story of the Iraq War from the perspective of the entire city of Fallujah — including both native Iraqis and U.S. troops — to Bomb, his most recent film, which explores teenage heartache against the backdrop of a decrepit bombing range and junkie malaise, Olds seems to be […]
by Jason Guerrasio on Jan 19, 2007
SCHOOL SHOOTER SHUT DOWN

Boing Boing has been covering this week the controversy surrounding the Slamdance Film Festival’s rejection of a video game, Super Columbine Massacre, from its interactive competition, the Slamdance Guerrilla Gamemaker Competition. Here is Slamdance’s official statement: The Super Columbine Massacre RPG game has been withdrawn from Slamdance ’07. While understanding the different positions people have already taken with the game, we want to express the struggle we had with ours. On one hand, a jury selected a game they believed merited programming, a decision that always leads to our organization supporting the creator’s independent vision and freedom of expression. On […]
by Scott Macaulay on Jan 9, 2007
GARRETT SCOTT DOCUMENTARY DEVELOPMENT GRANT

Thom Powers emailed the below, an announcement of the Garrett Scott Documentary Development Grant, so created in memory of the talented documentary filmmaker and wonderful, passionate and engaged person who passed away this past Spring. What: This grant funds first time documentary makers for travel and accommodations at the Full Frame Documentary Film Festival, April 12-15, 2007. For four days, grant recipients will be given access to films, participate in master classes and be mentored by experienced filmmakers. TWO filmmakers will be chosen for the grant in its first year. Deadline: Applications must be postmarked by February 5. Applicants will […]
by Scott Macaulay on Dec 24, 2006

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