Documentary

HOW SWEET IT IS

Looking through the nominees for the Independent Spirit Awards I’m very happy to see Ali Selim’s Sweet Land nominated for Best First Feature and Best Female Lead for Elizabeth Reaser. Since I saw it premiere at the Hamptons International Film Festival (where it won the Audience Award) in 2005 I’ve been a big fan. Set in a turbulent post-WWI America, Reaser gives a gripping performance as a German immigrant sent to Minnesota for an arranged marriage and hope for a better life and David Tumblety’s camera work of the Northwestern plains are breathtaking. The film had to go the self-distribution […]
by Jason Guerrasio on Nov 28, 2006
On the Move

Gotham Awards Tribute recipient Ellen Kuras takes us into the fast-paced life of an in-demand DP. Ellen Kuras operates like a perpetual-motion machine. One moment she’s photographing Michel Gondry’s latest feature. The next, shooting The Rolling Stones for Martin Scorsese. There are meetings with Lou Reed about an upcoming concert project. Also, a long-gestating documentary she’s been directing at every opportunity. And in between all of that, she found time to replace her old car that just died and pick up her new tailless cat from the vet. ELLEN KURAS. There are, of course, rewards to such endeavors. Like being […]
by Jason Guerrasio on Nov 27, 2006
MEETING AT MOMA

Below Andre Salas gives you some details about the special screening series at MOMA this week of the films we selected for our “Best Film Not Playing at a Theater Near You” Gotham Award. This is the second year of this award — last year we selected Caveh Zahedi’s I am a Sex Addict as the winner and Robinson Devor’s Police Beat as one of the nominees, and this year I think we picked films of similar quality. Indeed, it’s gratifying for all of us at Filmmaker to take such a concentrated look at worthy films that have really fallen […]
by Scott Macaulay on Nov 23, 2006
CURRICULUM EXPANDER

I came across journalism student Clementine Gallot’s blog Franco American after noticing a comment she posted to one of my postings on Gaspar Noe, below. Gallot posts in French and in English and here she is, excerpted, on Noe’s screening of his short We Fuck Alone to a group of NYU students: …Noe’s 23-minute piece features a couple having sex on television and a young girl masturbating to a teddy bear while a punk jerks off to an inflatable doll. Shot with a small DV camera between Los Angeles and New York, it employs strobes and the soundtrack of a […]
by Scott Macaulay on Oct 22, 2006
FAMILY VALUES

Doug Block’s doc 51 Birch Street opens this week at the Cinema Village in New York. Here’s what Paul Harrill at Self-Reliant Film had to say about it: The film is being billed, not incorrectly, as a documentary mystery: Just a few months after Doug’s mother dies, Doug’s father suddenly announces that he’s engaged to his former secretary. It’s not long before Doug finds himself at their wedding, awkwardly toasting the new couple. At the reception his father, the groom, is a different man. What’s the story? Was his father unfaithful? Was his parents’ seemingly happy marriage a sham? Doug […]
by Scott Macaulay on Oct 18, 2006
KINKED OUT

There’s a film festival this weekend taking place at a decadent playground where the idle rich enact scenes of ritual perversion. And for those who won’t be heading out to the Hamptons Film Festival, there’s Cinekink, which bills itself as the “true alternative film festival.” The fest opens tonight at Bacchus with a live performance by the Wet Spots and then bases itself at the Anthology Film Archives for its screenings and panels. Highlights include a panel discussion on Saturday, October 21st at 4:30pm entitled “The State of Smut,” which features NYC filmmakers Audacia Ray/Waking Vixen Productions, Tony Comstock/Comstock Films, […]
by Scott Macaulay on Oct 17, 2006
NEW YORK, NEW YORK

New York magazine is streaming five shorts screening at the New York Film Festival. Go to the above link to see Benoit Forgeard’s absurdist comedy, The Naked Race; Ariana Gerstein’s experimental documentary Alice Sees the Light; Tom Harper’s comedy about British hooliganism, Cubs (pictured); Faye Jackson’s female-centric horror film, Lump; and Elisabeth Subrin’s tale of intimate encounters, The Caretakers (the latter of which, I’ll admit in a full-disclosure moment, I exec-produced.)
by Scott Macaulay on Oct 3, 2006
THE WORD OF GOD

Over on the main page Annie Nocenti interviews the directors of Jesus Camp,, the incredibly fascinating documentary that opened this weekend from Magnolia Pictures. In the piece, co-director Heidi Ewing discusses Magnolia’s strategy to position the film as something of interest to both Christian evangelical audiences and godless hipsters in the big city: Ewing: Eamonn wants to bring the film to Christian strongholds before it hits L.A. or New York. Colorado Springs, Kansas City — they get the movie first. Magnolia is withholding the film from the secular world for one or two weeks. The Evangelicals have time to embrace […]
by Scott Macaulay on Sep 24, 2006
IFP MARKET WINNERS

At a luncheon celebrating the end of the IFP Market and Filmmaker Conference at NoHo’s Chinatown restaurant this Thursday, a number of awards were given to films and filmmakers who were part of the IFP’s various programs. The winners are: The Fledgling Fund Award for Emerging Latino Filmmakers ($10,000): Vivian Lesnik Weisman. IFP Market Emerging Narrative Screenplay Award ($5,000, presented by Artists Public Domain): I Hate to See That Evening Sun Go Down, Scott Teems. IFP Market Documentary Completion Award ($5,000, presented by Artists Public Domain, and $25,000 in-kind support from Alpha Cine, Analog Digital International, Mercer Media, Showbiz Software/Media […]
by Scott Macaulay on Sep 23, 2006
Holy War

The team behind the award-winning documentary Boys of Baraka are back with a new film that focuses on Evangelical children training to be “soldiers in God’s Army.” Early on in Jesus Camp, Pentecostal minister Becky Fischer asks an auditorium full of children and parents: “Do you believe God can do anything?” A young mother grabs her child’s arm and raises it. LEVI IN HEIDI EWING AND RACHEL GRADY’S JESUS CAMP. This is just one of many provocative moments that give Rachel Grady and Heidi Ewing’s latest documentary its haunting power. As enthralling as the religious rallies it reveals, Jesus Camp […]
by Jason Guerrasio on Sep 21, 2006

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