Documentary
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Sundance 2023 Documentary Sales and Beyond: Stark Realities, Golden Opportunities
Distribution strategist Peter Broderick, whose articles on microbudget filmmaking were foundational in the early days of this magazine, publishes a weekly newsletter that is a must-read for anyone tracking the independent film industry. A recent edition, his report on Sundance 2023 documentary sales, has prompted discussion and clarified important current trends in non-fiction acquisitions. This report is reprinted with his permission. Sign up for Broderick’s newsletter here. — Editor “Every independent filmmaker should learn the lessons of Sundance. This year’s festival revealed critically important developments in the indie ecosystem.” Let’s start with the same two sentences that began my Special Report […]
by Peter Broderick on Jun 2, 2023 -
“Sometimes the Present Erases the Past, and Sometimes the Past Erases the Present”: Steve McQueen on His Cannes-Premiering Occupied City
Tourists in Amsterdam typically stop at the Anne Frank House, but the ever-moving conga line of visitors tends to work against reflecting on the reality of its rooms. Steve McQueen’s Occupied City opens up a space for contemplation of a hundred-plus houses, buildings, and other sites across Amsterdam that are marked by World War II and the Holocaust in some way, tracing scars and trauma that may no longer be visible, much less widely known. Informed by an illustrated book by McQueen’s partner, Bianca Stigter (who directed Three Minutes: A Lengthening), it’s a living atlas: scenes of pandemic-era Amsterdam, overlaid […]
by Nicolas Rapold on May 25, 2023 -
Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds
When it came time to title his 2018 documentary about The Kronos Quartet, director Sam Green chose A Thousand Thoughts. Referring to an older Kronos composition, the title also spoke to the film’s approach, which was to use the music and biography of the Bay Area classical group to summon up a range of allusive meditations on ephemerality, culture, legacy and death. For his latest documentary, ostensibly about the much larger and more amorphous topic of “sound,” Green has gone in the numerically opposite direction. 32 Sounds, which opens today at New York’s Film Forum, announces itself as a sort […]
by Scott Macaulay on Apr 28, 2023 -
“Klee Wanted to Destroy the Convention of Angels in Their Historic Tradition”: Ken August Meyer on His SXSW Doc about Art and Illness, Angel Applicant
There’s the concept of art as therapy, and then there’s the concept of a specific artist as a therapist, which is how debuting filmmaker Ken August Meyer introduces the Swiss-German painter Paul Klee at the start of his Angel Applicant, premiering today in the SXSW Documentary Feature Competition. At the beginning of the 21st century, Meyer, an art director at Wieden+Kennedy, is struck by systemic scleroderma, a life-threatening autoimmune disease that causes scarring and tightening of the skin and which can damage internal organs. As he embarks on a treatment path, Meyer finds solace as well as a kind of […]
by Scott Macaulay on Mar 13, 2023 -
“…The Costs of Turning Yourself from a Three-Dimensional Person into a Two-Dimensional Brand”: Miranda Yousef on Her SXSW-Premiering doc Art for Everybody
One of the most surprising revelations about the painter (and multimillion-dollar mass marketer) Thomas Kinkade, “the most successful artist of his time” according to the synopsis for Miranda Yousef’s SXSW-premiering doc Art for Everybody, is not that he was, well, “the most successful artist of his time.” Nor that after his death a decade ago from a drug and alcohol overdose his family discovered a secret trove of rather dark and sometimes disturbing work, images at complete odds with the sugary sweet depictions of small-town life that once graced the walls of the Thomas Kinkade Signature Gallery franchises, a ubiquitous presence […]
by Lauren Wissot on Mar 13, 2023 -
“How Do You Talk About It as a Murder When You Think It’s an Accident?” Citizen Sleuth Director Chris Kasick on His SXSW-Premiering Mile Marker 181 Doc
In the nine years since Serial, the “true crime podcaster” has become, variously, a career goal, sociological type and, in TV shows like Only Murders in the Building, object of satire. In Citizen Sleuth, world premiering in SXSW’s Documentary Spotlight section, debuting director Chris Kasick considers his voluble, no-filter subject—Emily Nestor of the Mile Marker 181 podcast—from all of these angles while also producing a work that is something of a moral reckoning for the popular audio genre. In 2011, Jaleayah Davis, a 20-year old Ohio woman, died in a horrible drunk-driving accident, her head severed from her body. Or […]
by Scott Macaulay on Mar 12, 2023 -
“This ‘Space Problem’ Became Our Problem”: Ido Mizrahy on The Longest Goodbye
With NASA under “presidential orders” to land humans on Mars by 2033—and the industry titans of Silicon Valley rushing to make space exploration sexy again (not to mention cash in on that lucrative action)—it might be a good time to stop and ask not when our long-mission astronauts will launch, but rather who should be going and how they will survive. And not just physical survival, but mental and emotional, for even the Trekkiest among us may give pause before signing up for a years-long journey that requires relentless isolation, being stripped of any semblance of privacy and deprived of […]
by Lauren Wissot on Jan 19, 2023 -
“How Could One Document the Unseen?”: Robert Machoian and Rodrigo Ojeda-Beck on Their Haunted Cinema Eye Honors-Nominated Short, The Last Days of August
In their latest short film, The Last Days of August, which depicts the slow-motion desolation of a Nebraska town economically denuded by online retail, prolific filmmakers Robert Machoian and Rodrigo Ojeda-Beck create a haunted visual poetry — a blend of formally arresting, incisively spare images and heightened sound design. The two filmmakers, who appeared on our 25 New Faces list in 2010, began as shorts filmmakers and in recent years have directed arresting character-based, documentary-tinged features (God Bless the Child, When She Runs, and, for Machoian solo, The Killing of Two Lovers and The Integrity of Joseph Chambers). But throughout their […]
by Scott Macaulay on Nov 22, 2022 -
“The Complexity of a Disorder”: Svetislav Dragomirovic on I’m People, I Am Nobody
Svetislav Dragomirovic’s debut feature I’m People, I Am Nobody is a film I wasn’t prepared to watch. From its coy DOC NYC synopsis, we learn it’s the story of a 60-year-old retired porn performer from Serbia named Stevan who’s found himself stuck, Kafka-style, in a Maltese jail, accused of indecent exposure. What we don’t learn from that brief description is that Stevan is actually Dragomirovic’s father-in-law, and that the filmmaker received a series of “audio-letters” that Stevan had sent from prison, which form the basis of I’m People, I Am Nobody, an experimental collage that takes us on a shocking […]
by Lauren Wissot on Nov 18, 2022 -
“The Consequences of Putin’s Playbook”: Marusya Syroechkovskaya on How to Save a Dead Friend
“Russia is for Russians!” goes the far-right rallying cry. To which Marusya replies, “Bullshit. Russia is for depressed people.” She should know: Moscow-born Marusya Syroechkovskaya spent a dozen years turning her camera (multiple cameras, really) on herself and her co-credited cameraperson and best friend (turned lover, turned husband, turned ex) Kimi Morev. The two met as suicidal teenagers in their nation’s capital in the aughts, both part of the spiraling “silenced generation” under Putin. They shocked one another by deciding to stick around for a spell to see how their—and perhaps their antiauthoritarian compatriots’s—story would end. (That said, the soulmates […]
by Lauren Wissot on Nov 17, 2022
