After hit screenings at SXSW and HotDocs, Alexandre O. Philippe‘s The People vs. George Lucas will be shown at four film festivals this month: Edinburgh International, LA, AFI’s Silverdocs, and Munich. Philippe’s film examines the relationship between filmmaker George Lucas and his fans over the past thirty years. PvG is one of six documentaries at SILVERDOCS nominated for the WGA Documentary Screenplay Award this year. You can catch the film at any of the following screenings: Edinburgh International Film Festival: June 18 @ 7:45pm (Filmhouse 1) June 19 @ 3:30pm (Filmhouse 1) Los Angeles Film Festival: June 23 @ 8:30pm […]
by Jaimie Stettin on Jun 3, 2010Part personal history remembrance, part time capsule of a place, part true crime thriller, Cropsey is an absorbing and terrifying piece of filmmaking. A rough hewn, nine years in the making feature directorial debut for narrative film producer turned documentarian Joshua Zeman and NYC Human Resources Administration’s Deputy Commissioner Barbara Brancaccio, it delves into the disappearances of several handicapped children in their native borough of Staten Island during the ’70s and ’80s. The filmmaker trace their distinctive childhood memories of the events as well as those of dozens of Staten Island residents who live on with this disturbing mystery, many unconvinced—even though […]
by Brandon Harris on Jun 2, 2010Last night Thom Powers screened two docs, Jessica Edwards‘ short, Seltzer Works and Gregory Kallenberg‘s feature, Haynesville as the penultimate screening in his Spring Stranger Than Fiction series. The series rarely features shorts, but Powers credited the move to the fact that both films focused on gas crises – one very small, one very large, both man-made. Deftly shot, Seltzer Works is a carefully composed bit of nostalgia for a time when deliverymen schlepped heavy glass bottles full of fizzy water all over Brooklyn. A portrait of a third-generation seltzer man struggling to survive in a world that no longer needs him, […]
by Mary Anderson Casavant on Jun 2, 2010“You know the kind of movie where people laugh and cry?” asked a filmmaker character in Kornél Mundruczó’s Tender Son: The Frankenstein Project (seeking American distribution). “I want you to cry.” “I am crying,” responded the would-be actor before him, his face frozen solid. The internalization of emotion, and the tiny, subtle ways it can creep into the features and postures of even the most stoic characters was explored in some of the best work at this year’s Cannes Film Festival. At first glance, the protagonist of A Screaming Man (pictured above) (Un homme qui crie, seeking distribution), by […]
by Livia Bloom Ingram on Jun 2, 2010Director (The Look) and producer (the upcoming Valerie Plame story pic, Fair Game) David Sigal has made a documentary about Florent, the legendary and now shuttered New York meatpacking district restaurant. Scheduled to premiere at the New York Food Film Festival in June, Florent: Queen of the Meat Market is previewed at Nowness, which writes: Until its closure in June 2008, New York bistro Florent was that rare place where you could simultaneously eat a burger, catch a drag act and—if you were lucky—glimpse Calvin Klein. Named after its owner, the indefatigably flamboyant Florent Morellet, during its 23-year existence the […]
by Scott Macaulay on Jun 1, 2010Since part of the mission of Stranger Than Fiction is to promote “lost gems,” it should come as no surprise that programmer Thom Powers would choose to screen Dziga Vertov’s Man With A Movie Camera, a little seen (outside of film schools) Soviet classic that has had a profound influence on everything from Jean-Luc Godard to car commercials. A mish-mash of documentary material and visual effects, Man With a Movie Camera is a rapidly edited documentary experiment — and perhaps the world’s first music video. Last night’s screening featured a modern score arranged by John Walter, an editor and filmmaker […]
by Mary Anderson Casavant on May 26, 2010What happens when you take an independent American filmmaker, a fetish for Communist memorabilia, and subtract all irony? Pretty much the films of Jim Finn. From May 27-June 2, the Anthology Film Archives will be playing the shorts and features of Jim Finn. Disclaimer: I have shown his films at film festivals I work for and commissioned Finn to make a Lunchfilm. The Busby Berkeley of propaganda, Finn has made three features with a lo-fi indie style that mixes larger Hollywood genre trappings in a big bowl. The results are funny, but also packed with socio-political commentary. Seems hard to […]
by Mike Plante on May 24, 2010I discovered a couple of excellent posts at the Coffee and Celluloid blog that will help you if you are contemplating or in the process of a crowdsourced funding campaign through a site like Kickstarter or Indiegogo. Written by Joey Daoud, the posts chronicle his experience researching and enacting a campaign to raise $9,000 for his documentary on high-school combat robots, Bots High. The campaign was successful — he raised $9,100 — but, as always, the devil is in the details. In the first post, “How to Figure the True Cost of a Kickstarter Project,” he breaks down not only […]
by Scott Macaulay on May 23, 2010The 13th annual Brooklyn International Film Festival (BiFF) will be held June 4th-13th at indieScreen and the Brooklyn Heights Cinema. This year’s BiFF will feature over 100 premieres from 92 countries, including a record 16 films made by Brooklyn filmmakers on Brooklyn sets. For more information, please visit: www.brooklynfilmfestival.org. Some of the feature films to be shown: Gabi on the Roof in July | NY Premiere Director: Lawrence Michael Levine Narrative Feature / United States, 2010 99 min An edgy character-driven ensemble comedy about ex-girlfriends, sibling rivalry and whipped cream set in a city that’s constantly in flux. Bad Day […]
by Jaimie Stettin on May 19, 2010Like history itself, historical documentaries tend to be written by the winners – experts whose “greatest hits” style approach is as comforting as the muzak that plays underneath their interviews. Last night’s Stranger Than Fiction featured director Robin Hessman’s My Perestroika, a documentary so good at breaking the rules of historical docs that it makes you question why anyone ever follows them. Hessman focuses on the Meyersons, an ordinary Moscow couple who teach history at the same school they attended as children. Struggling to articulate what it meant to grow up Soviet to a group of students that did not, […]
by Mary Anderson Casavant on May 19, 2010