Documentary

TIME CAPSULING OBAMA’S ELECTION DAY

In the Fall of 2008 filmmaker Jeff Deutchman asked his friends from around the world to record their feelings and experiences on the day Barack Obama was elected President. The resulting material comprises his feature 11/4/08, which premieres at SXSW next month, and Deutchman is still in post raising money. He has a Kickstarter page and is looking to raise $3,500 for color correction and the preparation of various marketing materials. Here’s how he describes the project: Two weeks before the election of Barack Obama, filmmaker Jeff Deutchman asked his friends around the world to record their experiences of 11/4/08, […]
by Scott Macaulay on Feb 16, 2010
CARNIVALESQUE: TERRY GILLIAM’S THE IMAGINARIUM OF DOCTOR PARNASSUS |
By Jason Guerrasio

Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed The Imaginarium of Doctor Parnassus co-writer-director Terry Gilliam for our Winter 2010 issue. The Imaginarium of Doctor Parnassus is nominated for Best Art Direction (Art Director: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith) and Best Costume Design (Monique Prudhomme). An elderly man pulls his carriage to the curb and prepares to put on a show. Onlookers watch with a mixture of bewilderment and vague familiarity; the […]
by Jason Guerrasio on Feb 15, 2010
IN BERLIN: BEAUTIFUL DARLING

Beautiful Darling, James Rasin’s documentary on the life of actress and Warhol superstar Candy Darling, premieres at the Berlin Film Festival this week. In it, actress Chloe Sevigny voices Darling. From the film’s website: Beautiful Darling, a documentary film, pays tribute to the short but influential life of an extraordinary person — the actress Candy Darling, born James Slattery in a Long Island suburb in 1944. Drawn to the feminine from childhood, by the mid-Sixties James had become Candy, a gorgeous, blonde actress and well-known downtown New York figure. Candy’s career took her through the raucous and revolutionary Off-off-Broadway theater […]
by Scott Macaulay on Feb 12, 2010
SPOILED APPETITE: ROBERT KEENER’S FOOD, INC. |
By Jason Guerrasio

Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Food, Inc. director Robert Keener for our Spring 2009 issue. Food, Inc. is nominated for Best Documentary. As the grill sizzles in the background a waitress rattles off the specials of the day when a voice interrupts her. “I think I’ll have a hamburger,” says the man looking up from his menu. Sitting at a diner counter in Anywhere, USA, the order comes from the most unlikely of […]
by Jason Guerrasio on Feb 11, 2010
BEIJING TAXI: THE METER IS RUNNING

Filmmaker Miao Wang, a Beijing native now based in Brooklyn, is currently racing to finish her feature doc Beijing Taxi in time for SXSW, where it’s scheduled to world premiere. She needs to raise $11,000 to cover post-production expenses and is just under half way there with five days left to go at Kickstarter. From the Kickstarter page: BEIJING TAXI is a feature length documentary that vividly portrays Beijing undergoing a profound transformational arch. Through a humanistic lens, the intimate lives of three taxi drivers connect a morphing city confronted with modern issues and changing values. With diverse imagery combined […]
by Scott Macaulay on Feb 9, 2010
HOW COOL IS INDIE FILM?

Indie film champions are often fond of comparing what we do to indie music. If bands can tour, why can’t we? If bands can sell merch, then we should too. If recording artists can form boutique labels, then why can’t film distributors? Like, for example, Oscilloscope, the film label of Beastie Boy Adam Yauch. At Flavorwire, Judy Berman takes this assumption to task in a piece called “Why is Indie Film Dying While Indie Music Thrives?” She bases her assessment of indie film’s slow-motion death on Edward Jay Epstein’s “Can Indie Movies Survive?”, which I found to be a pretty […]
by Scott Macaulay on Feb 8, 2010
PORTERFIELD’S PUTTY HILL PREMIERES IN BERLIN

Baltimore director Matt Porterfield’s (Hamilton) latest film Putty Hill premieres this month at the Berlin Film Festival’s Forum. On the film’s nicely-done website, Porterfield describes coming up with a five-page treatment that would use 15 locations when financing for a larger project, Metal Gods, fell through. About the result, he writes: Putty Hill is not quite like anything I’ve ever seen. On a most basic level, it is an amalgam of traditional forms of documentary and narrative realism. But it is an approach to realism in opposition to the anthropological, lyrical, and romantic currents present in most of the genre. […]
by Scott Macaulay on Feb 6, 2010
JONATHAN GOODMAN LEVITT ON BIG ART, LITTLE DEBT

In the new issue of Filmmaker, Esther Robinson penned “The Big Art/Little Debt Plan,” which discusses the relation of filmmakers to risk, their films, and their money. She reached out to several filmmakers by email, and their responses helped shape her article. We are running several of the responses Esther received here on the blog. Here is Jonathan Goodman Levitt’s. What strategies did you employ to stay no/low debt during your production? I’ve had to take on a lot of more roles myself than would be ideal for the film, or for me personally. Life has been pretty much on-hold […]
by Scott Macaulay on Feb 6, 2010
DAN COGAN ON BIG ART, LITTLE DEBT

In the new issue of Filmmaker, Esther Robinson penned “The Big Art/Little Debt Plan,” which discusses the relation of filmmakers to risk, their films, and their money. She reached out to several filmmakers by email, and their responses helped shape her article. We are running several of the responses Esther received here on the blog. Below is the one from Dan Cogan of Impact Partners. What drives most filmmakers, and especially documentary filmmakers, is their deep passion to tell a story. It’s not about money or about a career for many filmmakers — it’s about the story. This is very […]
by Scott Macaulay on Feb 5, 2010
2010 SXSW LINEUP ANNOUNCED

The South by Southwest Film Festival unveiled its lineup for this year’s fest, which will take place in Austin, Texas March 12-20. Out of the 119 titles shown this year some of the highlights will be the opening night film, fanboy fav Kick-Ass, as well as Mark and Jay Duplass’s Cyrus, Steven Soderbergh’s And Everything Is Going Fine, Michel Gondry’s The Thorn in the Heart and Bernard Rose’s Mr. Nice (pictured). The full list of films are below. HEADLINERS CyrusDirectors and Screenwriters: Jay and Mark DuplassWith John’s social life at a standstill and his ex-wife about to get remarried, a […]
by Jason Guerrasio on Feb 4, 2010

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