Last year, I posited that Boyhood‘s use of 35mm seemed to be a kind of special effect as much as anything: committing to film ensured an internally continuous look over 12 years of production whose uniqueness would survive despite a digital intermediate and no prints being struck for American release. This type of use of 35mm, separate from its ongoing viability as an exhibition format, was one common reason cited for its use in 39 2014 US releases originating in whole or substantial part from it. That’s a list that’s probably not complete: collating the release calendar against the technical specifications primarily quickly […]
by Vadim Rizov on Jan 15, 2015Despite perpetual predictions of the imminent end of Tom Cruise’s viability as a box office draw — a fate presumably tied to his Scientology, perceived egotism or the general difficulties of maintaining longterm A-list status — the actor keeps trucking along in vehicles that, consciously or not, tap into anxiety about how he’s perceived. There is, most notably, the precedent of Vanilla Sky, which seemed like a mid-life crisis writ large: a movie about a wealthy, successful man whose sudden downfall is precipitated by facial disfigurement — surely as much an actor’s nightmare as much as anything. This type of […]
by Vadim Rizov on Jun 9, 2014