In 1989, Al Pacino returned to the screen after a four-year hiatus to appear in Sea of Love, a thriller that reinstated him as a major star and cemented novelist Richard Price’s status as one of the great American screenwriters of his era. Price’s script, which follows a detective (Pacino) who falls in love with a suspect (Ellen Barkin) in a string of murders of men placing personal ads, has a rock solid construction that allows for a multitude of tonal shifts and digressions, all of which are orchestrated to perfection by the film’s director, Harold Becker. In Becker’s hands, […]
by Jim Hemphill on Oct 29, 2018Forget that the world economy is inching precariously close to tanking, yet again. Forget that new film festivals are also streaming out of the starting gate. “The inaugural Singafest Asian Film Festival hits Westwood this weekend,” the email proclaims. So just how many festivals are there? “First Palo Alto Film Festival opens with a bang.” The emails won’t stop. A lowball count is 4,000 worldwide, although doubling, possibly tripling, that number is probably closer to reality. Forget that we know all the top-tier festivals, the celebrities attending, the films winning, and the festival race-chatter: Toronto is up and Venice is […]
by Stewart Nusbaumer on Oct 4, 2011This post was originally published when Shit Year premiered at the Cannes Film Festival in 2010. The film opens today at the IFC Center. It is both accurate and reductive to call Cam Archer’s Shit Year, which premiered at this year’s Cannes Film Festival in the Director’s Fortnight section, the story of a retiring actress grappling with the emotions produced by her move away from the Hollywood spotlight. Of course, on narrative terms, that is what it’s about. Ellen Barkin plays the actress, who has just given her final talk-show interview, moved to a cabin in the woods, and now […]
by Scott Macaulay on Sep 21, 2011It is both accurate and reductive to call Cam Archer’s Shit Year, which premiered at this year’s Cannes Film Festival in the Director’s Fortnight section, the story of a retiring actress grappling with the emotions produced by her move away from the Hollywood spotlight. Of course, on narrative terms, that is what it’s about. Ellen Barkin plays the actress, who has just given her final talk-show interview, moved to a cabin in the woods, and now spends her days avoiding her neighbors and flashing back to a brief affair she had with a younger actor (Luke Grimes) on the set […]
by Scott Macaulay on Jun 2, 2010