Some of my best conversations have been with people who weren’t there. Absent was OK—even nonexistent was OK. As long as I imagined somebody was there. I did that as a prolific letter writer, I did that as a novelist, and most recently, I did that as a filmmaker. More than 20 years after the defining trainwreck of my youth—having my teacher/mentor disappear with all the footage of a 16mm film we’d shot together—I decided to make a film that would both document the joys and perils of teenage creativity and unfurl the detective work behind the mystery of the […]
by Sandi Tan on Sep 17, 2018I post my fair share of video essays, but arguably the most useful ones are the most specific, breaking down a filmmaker’s craft into a more ‘teachable’ method. Kevin B. Lee’s essay on the blocking, editing and camera perspectives at work in Eric Rohmer’s A Summer’s Tale is a prime example of the aforementioned. Lee clearly demonstrates how Rohmer crafts a world of uncertainty through reverse shots and eyelines, just as easily as he can lead the audience to side with a different character from one shot to the next via his cinematography.
by Sarah Salovaara on Mar 10, 2015