The world doesn’t need another list of the best films of the year, but after considering my own recent lists, I realized there were a handful of movies‹excellent independent work that has largely flown under the radar‹that even I initially overlooked. Here are seven bold American low-budget movies from 2011 that may have been forgotten in theatrical release, but should make for essential home viewing (if you haven’t seen them yet) in 2012. And I’ll be among the first in line to see where these young directors go next. 1. Silver Bullets. All I can say is that I […]
by Anthony Kaufman on Jan 2, 2012Now on our VOD calendar are titles available for the month of November. Some highlights: Mike Mills‘ Beginners, Miranda July‘s The Future, Evan Glodell‘s Bellflower, Mike Cahill‘s Another Earth and John Sayles‘ Amigo. And our pick of the month: 25 New Face Alma Har’el‘s impressive debut Bombay Beach. For titles from previous months go to our VOD Calendar homepage.
by Jason Guerrasio on Nov 1, 2011
For Evan Glodell, surviving a bad breakup by making a movie wasn’t enough — he also built the camera it was shot on and the car featured in its story. Dubbed the mad scientist of this year’s Sundance, he takes Septien director Michael tully through the apocalyptic fever dream that is BELLFLOWER. Photograph by Henny Garfunkel
We have an interview with Bellflower director Evan Glodell in the next issue of Filmmaker, and he talks about finessing this trailer with Oscilloscope until it was the best it can be. Check it out. The film is a real Sundance discovery, a twisted relationship drama from a filmmaker who, in our piece, says he didn’t even really know what a film festival was before he popped his DVD in the mail to the Park City programmers. What I liked about the film: its raw emotional immediacy. This is a film about a break-up, and the movie itself feels pretty […]
by Scott Macaulay on Jun 14, 2011Here’s a weird clip — Sean Combs stopped by the taping of Carson Daly’s interview with Bellflower director Evan Glodell at SXSW and wound up handing him $1,000. Both Alicia Van Couvering and I liked this movie at Sundance, so Diddy’s largesse is for a good cause.
by Scott Macaulay on Apr 13, 2011