“It is all about an urge, a powerful and overwhelming urge, to fulfill myself, to fulfill this life that is inside me, to fulfill it in every way, leaving nothing untapped. That is what it is all about: the excesses, the anxiety, the restlessness, the pain, carrying around in me this irrepressible need to fulfill myself in every way possible.”—Kathleen Collins If I were to attempt to choose one word to sum up Kathleen Collins’s work it would be interiority. The idea of leaving nothing untapped or laying it all bare is prevalent across her plays, screenplays, short stories and […]
by Tayler Montague on Oct 11, 2021Following her breakout film, the high school cannibal romp Raw (2016), filmmaker Julia Ducournau doubles down on her predilections for freely reconstructed human flesh. The Palme d’Or–winning Titane strays even further from traditional narrative logic, emerging as a baroque investigation of the power of bodies to morph in response to the desires and violence of both people and machines. Taking its title from the metal plate installed in a young girl’s head after her father (Bertrand Bonello, in a fun bit of casting) crashes their car amid her aggressive fury, it is, yes, the movie where a woman fucks a […]
by Jessica Dunn Rovinelli on Oct 11, 2021It was December 1964, and Stanley Kubrick had a problem: No one wanted his new movie. The 36-year-old director had spent months writing a treatment for a science fiction film titled Journey Beyond the Stars with renowned novelist Arthur C. Clarke. When he started to pitch it, however, he found that no movie company wanted to produce it, with only MGM showing a vague interest. Considering his near legendary status nowadays, it may come as a surprise to learn that in the early 1960s, despite his growing reputation, Kubrick did not yet have movie moguls at his beck and call. […]
by Simone Odino on Oct 11, 2021In La panthère des neiges/The Velvet Queen, a feature directed by Marie Amiguet based on an idea by renowned wildlife photographer Vincent Munier, French writer and traveler Sylvain Tesson accompanies Munier to the Sanjiangyuan nature reserve on the Tibetan plateau, hoping for a glimpse of the elusive snow leopard. “Not everything is made for the human eye,” Tesson says at one point, a sentiment that is both a lesson in filmic observation—searching for the unseen in order to record it—as well as a commentary on the responsibilities inherent in that act. In the beginning of his expedition with Munier, Tesson […]
by Pamela Cohn on Oct 11, 2021