Now in its seventh year, the multidisciplinary Wassaic Project’s Summer Festival — whose 2014 edition opens today — offers an intimate screening experience where independent films by emerging filmmakers mix with art, music, dance and the great outdoors. It’s probably the only festival where films are projected in a Cattle Auction Ring, a fact doubly surprising given the festival’s location just two hours from New York on Metro North’s Harlem Line. The Wassaic Project is a non-profit that has as its mission the creation of “genuine and intimate context for art making and strengthening local community by increasing social and […]
by Scott Macaulay on Aug 1, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of interviews highlighting women directors at SXSW. In this interview, she talks with Sarah-Violet Bliss, who co-wrote and co-directed the SXSW Grand Jury Prize-winning narrative feature Fort Tilden with Charles Rogers. Filmmaker: Why this movie? Why did you decide to do it? Bliss: I was excited to tell a story in response to the popular topic of discussion these days frequently labeled “millennial malaise.” I have many thoughts on this matter in hand that are enormously fun […]
by Danielle Lurie on Mar 12, 2014Beating back chilly, sub-normal temperatures, the season finale of True Detective and the myriad distractions of its surrounding program — referencing the new SXSports category, one independent film stalwart snarled to me, “Don’t try to tell me that sports are now creative” — SXSW Film put a capper on its 2014 edition by awarding Sarah-Violet Bliss & Charles Rogers’ Brooklyn beach comedy Fort Tilden and Margaret Brown’s Deepwater Horizon doc, The Great Invisible, its top prizes. Other awards included a “special jury award for courage in storytelling to the lead actor and screenwriter of Collin Schiffli’s Animals, David Dastmalchian. (The […]
by Scott Macaulay on Mar 12, 2014