Biographies of artists have typical rises and falls, eddies into new enthusiasms and returns to consistent themes. But when it comes to musician, artist and cultural provocateur Genesis P-Orridge, such rhythms occur in truly outsized relief. In S/He Is Still Her/e — The Official Genesis P-Orridge Documentary, director Charles Rodrigues, whose previous Tribeca-premiering feature was Gay Chorus Deep South, proceeds biographically through P-Orridge’s life, from her childhood in Manchester through early assaultive work with the UK performance group COUM Transmission, industrial pioneers Throbbing Gristle and finally the more beatific psych-rock outfit Psychic TV. P-Orridge’s ultimate destination was the body-morphing Pandrogyny […]
by Scott Macaulay on Jun 7, 2024With Marie Losier’s retrospective, Just a Million Dreams, now running at New York’s MoMA through November 11, we’re reposting our interview with Losier from our Winter, 2012 print issue. The film discussed here, The Ballad of Genesis and Lady Jaye, screens tomorrow, November 3. What should one expect when one artist turns their camera on another? Although the “portrait of the artist” doc is one of nonfiction filmmaking’s most durable sub-genres, audiences often expect the least from it. In the presence of a great painter, musician or author, directors are frequently expected to sublimate their own styles in favor of […]
by Esther B. Robinson on Nov 10, 2012Filmmaker Marie Losier is well known in her New York for her beguiling experimental films, which include portraits of a number of today’s most unconventional and important artists. For the last four years she has been filming Genesis Breyer P-Orridge, artist and founding member of Throbbing Gristle and Psychic TV, among other ventures. Beginning in 1993, P-Orridge began a radical art project with his wife and artist partner, Lady Jaye, in which they both underwent plastic surgery to resemble each other, creating, they said, “an indivisible third,” a “pandrogyne.” Lady Jaye passed away in 2007, and Losier’s film will tell […]
by Scott Macaulay on Mar 9, 2010